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KingDragoYT

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  1. Well it just came out 15 hours ago so I don't expect many people to have completed it but who ever finished it, what are your thoughts and what would you rate it? Personally I am extremely bias towards this series since kokoiro was my first visual novel and I am still very new to the community. 和泉つばす, the character designer and CG artist is my favourite artist. Since I don't have much experience in visual novels I can't say for sure, but I'm pretty sure this would be one of the few games out there where it had a sex scenes which succeeded in making struggle to hold back by tears, whilst another made me laugh my ass off. The bad end was pretty rough; Feels got me pretty good. It didn't give me the heavy feeling after I finished it though since I know there is Haruiro coming up next and 2 to follow after that. I'm looking forward to Haruiro which would probably be translated in half a year (?) I'd give it a 8/10. It was better than kokoiro in my opinion.
  2. I personally disagree with that statement. Again, I don't really like the H-scenes that much, but having a part og the game taking away is essentially taking away our full experience. It was made like that so why take it away? All age version. Yes. But leave us an option for the r18 version.
  3. I'm sorry to hear that man but I'm glad you've found something you're passionate about. On the other hand I really am struggling to find a passion that I can work towards to. Encountering and discovering 和泉つばす and ぱれと is probably the biggest miracle that has happened to me and I'm extremely thankful that I did. Her art enchanted me and made me want to become an illustrator myself. Though realizing the gap between us in terms of drawing and my business skills, I'm constantly discouraged. She has made a company herself, have multiple sources of income in drawing for games, selling her own merch online and in Comiket, creating her own circle/company. Most things that I as a Hong konger isn't able to do. I doubt I could create my own business since I lack creativity, and I'm not taking a business course in school so I'm fucked. Well I'm basically rambling at this point but yea, I guess my dream is to become an illustrator but I'm constantly debating over if it's really suited for me. Back to the main topic. I've tried watching another anime. I've watched Mahoutsukai no Yome because Tanezaki Atsumi (or in a more familiar name, Kiritani Kana or Sawasawa Sawa) voiced the main character. This was a huge mistake cuz the show dived into topics like bonds, home, family which again are stuff that I'm struggling with. Though like you said I'm not regretting that I watched lr experienced a show or VN. I'm glad that I did and huge props to the producers that made me feel that strongly. Though it's already been almost 2 weeks since I last finished the 2 routes and I'm still struggling with this feeling. It might be something else other than the VN, maybe with stuff that's involve with my future or about how slow the licensing companies are in localizing titles, therefore not being able to experience titles that I wish i could. I guess they all contribute to this feeling I'm experiencing. I'm rambling again but I'm just trying to put my thoughts into words like the other user suggested. It would be great if someone actually reads it and give me some feedback though.
  4. I've tried that writing it down and it did ease it a bit. I've also went back through the best scenes and tried all the stuff you said. It's been a good week since I finished both routes and I've already let go of the stuff from the route but the heavy feeling in my chest doesn't reside. It actually feels so bad that I'm actually struggling to do anything productive. I guess I really just want someone I could talk to about visual novels since no one in my group of friends play visual novels. If it's good with you do you mind giving me your Twitter and we can maybe talk about visual novels sometimes. Give me some recommendations and stuff like that. Be my senpai in visual novels or something like that lmao. My Twiiter is @KingDragoYT
  5. I've tried moving onto the anime "Maahoutsukai no Yome" since I realized Tanezaki Atsumi is voicing the MC but the show also depicted loneljness and finding a home and along those lines so it catalysts the feeling and my depression
  6. I'm pretty new to the community with only playing 3 VNs. They are, in order, 9-nine- Kokonotsu Kokonoka Kokonoiro, Sanoba Witch and Koi ga Saku koro Sakura Doki. I didn't really get the heavy feeling of attachment in my chest when i finished 9-nine as I knew there were episode 2,3 and 4. And I didn't feel that way either when finishing Sanoba Witch. I did feel quite emotional after Nene's route though and that did left me feeling quite attached to the series. To give you a quick summary of my background. I've been diagnosed with depression for 2 years and I haven't really been affected by it for that much. That was the case before I went to Malaysia for my family gathering in Summer and was left with a realization of my own loneliness. Then I experience Ann and Yuri's routes in SakuSaku. I'm pretty sure i experienced these 2 routes quite differently then most as I was heavily affected by the friendship between Ann and Ele and the relationship between siblings/twins of Yuri and Hanako. Yuri's route is my favourite route so far, though left with a loose end in gay shinigami and Hanako, probably will still remain to be my favourite route of that title. I couldn't continue with the other routes as everytime the ecstasy that is the OST soundtrack continue to blast in my ears, the heavy feeling in my chest worsens. The same thing would hapoen when I see Yuri and Ann in the other routes which remind me of how brilliant their routes were. Though you guys probably wouldn't sympathize to that extent as my love for this game stems from my own depression and my experiences. Though it would be great to hear y'all opinions on these 2 routes which I love and give me motivation in finishing the other routes by telling me what I'm missing out on. No spoilers of course. I'm sure everyone has experienced a sense of attachment/this heavy feeling in your chest after finishing a title when they were a newbie to a medium or found a title or show that they're entitled to before. Now here's my question. How did you move on from this sense of attachment/Heavy feeling and not feel like shit for knowing that you might never see these characters again.
  7. Again I don't care if they want to make a console version or an all age version. I seriously don't care. Just give us options on choosing the complete r18 version like the Japanese market. I personally don't really like the H-scenes and don't even jerk off to them. They aren't really that stimulating. Though having known that they've removed something from the game means that I'm not getting the full experience of the game. I'm not afraid to say that I do like porn, but I can say for sure I don't like H-scenes and fan service scenes just because of it being fap material. There are character development involved as well. Like the H-scenes from SakuSaku. They are extremely involved with the story line. Scenes from 9-nine. I've played the all age version before realizing there was a 18+ patch. It really develops Miyako as a character. Again I'm not saying we don't need All Age Versions. We just need an option to choose from. Again like our Japanese counterparts. R18 (Full version of the game) or All Age.
  8. We don't want the r18 patches purely because we want to jerk ourselves off to the H-scenes. We don't want to see censoring just because we want to get off on the CG's. We just want the full experience. Remember the purpose in why your licensing these titles. To give us, the western audience, the same experience the locals are getting. To share the full experience with us so we can connect with the local counterparts and bond with them over these titles. And I can assure you friendship had been born because of this. But censoring and cutting out parts of the game isn't going to achieve that. Remember there are always r18 versions and all age versions available for the local (Japanese) community/market, so why not for us too. I'm talking to you MoeNovels. To you SakuraGames. To you Fruitbat Factory. From now on when I mention r18 ver of the game, i mean a fully untouched game, only translated, not censored, with nothing cut out. Hey MoeNovels, Give us the FULL version of the It My Heart Had Wings Series and A Sky Full of Stars, with H-scenes and all the stuff you cut out. Nothing changed, nothing added, nothing cut out, just translated with quality into English. That's all we ask. You can keep satisfying Steam with your censored stuff like the ones you're doing now, but please. And I really beg of you. Please release a r18 ver of it. Hey Fruitbat Factory, Please. Please give us a full version. A r18 version. A non edited, non censored, pure original version just translated with quality into English, of The Princess, The Stray Cat and The Matters of the Heart. A game that's fan service centered and filled with H-scenes should not be censored and given to the West like this. It's like serving a spaghetti without the pasta. It just doesn't work. Or at least do what you did with Eiyuu Senki and hand the censored, cutted out stuff and H-scenes and everything to another company. Please I beg of you. This is an extremely good title. Don't mess it up. Again it's fine if you want to make a censored game, but at least give us an option to experience to fill version of the game. The full experience. I beg of you. There are many good titles that have been picked up from you guys. You can still fix them. There are also titles yet to be picked up. Don't make the same mistakes you've done and give us, the audience, the consumers, what we really want. I can say for a fact that we are loyal to the medium, but we are not fools as well. We know when the consume and when not to. You don't need to change stuff and add things. Just keep it untouched and do good translations. By all means am I not belittling how hard it is in this industry but please. Make it right.
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