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Itsuka, Todoku, Ano Sora ni. いつか、届く、あの空に。 [Lump of Sugar]

kivandopulus

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Foreword: All the previous complex meta-textual intellectual novels got the highest score from me. Itsuka, Todoku, Ano Sora ni is exactly this kind of novel. So... is it 10/10 for me as well?

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Synopsis: In this town, there are "clouds" covering the nightsky, that the starlight won't even pierce. Because of this, constellations would always be too far.

Born and raised in the Tatsumi noble family, Saku has failed to meet the expectations that lie on every male member of the family.

One day, he receives word from his strict grandfather "to live life the way he wishes." Estranged by his family, Saku travels to the estate of Kuumeishi, a town that has never seen the stars.

He went without hardly making sure of the details of arrangements for a wedding...

Youtube:https://www.youtube.com/watch?v=wQOtL0k7pXk&list=PLs4Gp5VU4Fv9cLlVyGlSgO3KP-VwxGWLb

Game type: Mindscrew

Character Design rating: 9/10

Protagonist rating: 8/10

Story rating: 10/10

Game quality: 9/10

Overall rating: 9/10

There are enough English reviews for this game (1 2 3 4 5 6 7 8) and especially Japanese reviews (1 is one of the best ones). But game has such complex nature that there is still room for discussion. Minor spoilers are inevitable for discussing game concept, but I'll hide big spoiler under the bar.

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I played the only available at the start Futami route blindly before reading anything on the game... and I did not like it at all. After rather fun greeting of our supposed fiance in this ancient town nothing much really happens for the bigger half of the game. There's astronomy committee at school and Futami who tries to roleplay a perfect wife at home (and she studies at the same school as well). Futami wants to become protagonist's wife and wants his help in ritual for clearing clouds by the festival, and she constantly demands answer, like five times, really. And Saku never gives one. Then I was absolutely pissed by the fact how writer crosses out previous development with just one sentence "And it was the last night before Futami returned to her parents' house". The reason is not explained, and strange scenes start to snowball at this point. Basically, Saku kind of continues to live alone. At this point he is visited by three girls frequently - Mememe, Konome and Asuku San - and it becomes the fork for the routes to initiate. Then there's sudden burst of conflict with many antagonists showing up, and everything loses sense almost completely. There are constant time shifts, recollections, recollections inside recollections and what not. It gets really messy instantly followed by battles and really unsatisfying unification with Futami under weird circumstances. I'm telling all that just to say that first playthrough can be really bad, it's normal. Game still managed to rise from 6/10 to 9/10 somehow. I'll try to explain how.

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So the concept of all routes turns out to be slightly different. This town is ancient town of several  mighty clans dating from Heian period with heroines belonging to different ones. And these clans have both powerful warriors and magicians. A very important day approaches, so in each route protagonist Saku has to deal with the clan of route heroine. Problems and antagonists vary greatly for each heroine, so each route manages to provide an absolutely fresh experience. Concept looks much simpler now, but only because I try to simplify things on purpose. These clans exist at the same town and have a mutual co-habitation history. It means that in different routes all the heroines and sub-heroines and even lots of antagonists act simultaneously, and these arcs intersect. Positions of these clans are absolutely different, hierarchy and heroines positions are absolutely different. Even the purposes of clans are absolutely different. There's a lot of infodumping to chew.

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And after all three routes are finished another small story shows up which actually puts most of the dots at the right places. It explains both the origin of this town and clans, the history behind most important personalities, the ritual day and even role of Saku. It's a very strange structure where we get to know what the game was about after game is actually finished already. But this move gives incentive to recall or reread parts of heroines routes that made little sense beforehand. And it actually gives room for theory-crafting. My insight is under spoiler.

Spoiler

In Futami and Konome routes heroines manage to survive and make their roles fulfilled and promises realized. Asuku San route is twice shorter and it's about her riot and killing pretty much everyone from powerful clans. The short after-story is the story about Scandinavia god Odin's conflict with humans where main motives are "rage" and "anger". So what I imply here is that Asuku San route is the true route, and that's why it has that much common ground with after-story. I consider Futami and Konome routes to have only bad endings, because both of the heroines are sucked in their roles too deep to be able to break through. As Gozen says about Konome, the princess was fed with poison from her birth. It's not poison literately, but Konome was brought up as hope for her clan and the most powerful sorceress. And her life is full of respect of her clan, duty before the clan and constant stress about not being able to help the clan (she can't use her magical abilities, but I won't disclose the reason as it's not important for my reasoning). Absolutely the same can be said about Futami. She's the most powerful member of her clan after grand-mother, but her power is spiritual and not applicable in real life, so her full ambition is driven for Saku, to become his wife. Incidentally, Saku also has only hidden power, so on the surface he is the weakest member of the clan. So, this town with ancient clans squabble and curse of the ritual done once in 100 years is basically the same stage as vikings life with their cursed Gods like Odin and constant fight among themselves and with external forces. I see this ancient Japanese town as image of whole post-Heian Japan with intrigues and competition among many forces. And Vikings were luckier in this case. They became the external force that conquered and more or less united England settling there. But Japan had nothing of the sort and the hell of internal conflicts continued till capitulation in the second World War. Even with united state rulers could not break free from militarization curse, this rigid hierarchy and rough life. What I see in Futami and Konome routes is reproduction of the same sinful cycle. Heroines were able to realize themselves inside the hierarchy and found their place there. Nothing got changed, and this town without any modern technologies continues to thrive in the era of mobile phones (as Suku has one when he comes to this town). Everyone in this town is narrow minded. Except Asuku San. She monitors behavior of major clans and wants only one thing - to escape. But her sense of justice does not allow just to flee. Escape for her is inevitably linked to liberating this town from the lingering past. This anger and rage are directed at pre-War Japan. I like this game exactly because its concept and ideas provoke discussion and thinking.

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Itsuka, Todoku, Ano Sora ni is a complex meta-textual intellectual visual novel. But why is it just 9/10 for me? The answer is because I did not really like the process of reading it. It's basically mindscrew where nothing is explained until the end and you are hit in the head over and over and over. But I really appreciate direction, text, concept, attention to details and discussion that it provokes. It's not a natural masterpiece, but an artificially kneaded one. The process is not really good, but the aftermath is. There is a feeling of accomplishment afterwards and recognition of something absolutely new done within a scale of visual novel. That's why I can't really recommend it. But if you read all this and still want to read it - it's worth it, at least for the after-taste, but it will be anything but easy.

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Like all Shumon Yuu games, this is a kamige.  That said, this one is one of the more opaque games by him, so I don't recommend this for beginners at reading untranslated VNs.  It was only on my second playthrough that I managed to really appreciate this game fully.  This is one of those games where there is a ton of stuff going on in the background you are supposed to pick up on through roundabout hints.

Edit: I don't recommend playing anything by Shumon Yuu until you can play a plotge without the machine translation (kanji parsers are ok).  From what I've been told, the 'translations' outputted (this was three months ago from a guy I recommended Fumanaide to) don't even vaguely resemble sentences or the original text, even compared to normal machine translation.

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I see that Itsusora here really did earn it's fame, and of course the plot should be even more important than kanji pun here (Although the latter here is definitely the bonus for untranslated version). So yeah I hope that Nekonyan would be pick this, especially with their current relationship to both of Lump of Sugar and Hikari Field. I know that the translation here would be quite handful, not because the story here but rather the kanji pun in that it would be a pain for the translator to search the comparison in order to allow the non-Japanese reader to enjoy it the same as Japanese one. Still I think even without the kanji pun thing here I think it might be quite enjoyable for non-Japanese reader if we manage to get this in Japanese, although the hint would obviously lost in the translation especially if the kanji here really hold a lot of hint here.

Edited by littleshogun

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