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About this blog

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This blog is devoted to popularization (and discussion about) western-produced VNs. My main goal is to present notable non-Japanese visual novels that didn’t receive attention in the Fuwa community and, whenever possible, giving voice to people behind them. Doing this, I hope I’ll be able to give these projects and their creators the appreciation they deserve and oppose some negative stereotypes about non-JP VNs that circulate within our community.

I’m also going to talk about failed VN projects and review newly-released titles of various quality, using this opportunity to discuss the most common flaws and problems characteristic for the western VN development scene and realities of the OELVN market. 

Entries in this blog

Plk_Lesiak

For the last few months, I’ve published reviews and top lists, presenting worthwhile or interesting OELVNs that usually have little presence on Fuwa and don’t get discussed as much as they deserve. From the very beginning, however, my goal was to focus not only on the games themselves, but also the people behind them – the independent creators and small studios that make the core of the Western VN market. Today, I present you with the first “Developer Spotlight” post, where I’ll be talking to Jackie M., the founder of Reine Works, authors of multiple yuri and otome VNs and the studio behind the recently-published otome title Seven Districts of Sin: The Tail The Makes the Fox, about the game’s somewhat-turbulent release and the realities of today’s OELVN market. Be sure to check out my review of the game first, where I also touch on its unusual appearance on Steam.

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Plk Lesiak: Hello and thank you for agreeing to this interview! Let’s start with your latest VN. It’s pretty rare for me to be the first person to rate a game on VNDB, especially four months after its release. What happened to The Tail Makes the Fox that it went so much below the radar of the VN community?

Jackie M.: Correct me if I'm wrong, but I don't think there are nearly as many users on VNDB who rate otome games, as compared to anything that could be construed as aimed at men. I took a quick look at some other developers' titles out of curiosity, and it seems that female-aimed titles in general tend to have very few votes. Funnily enough, I can confirm that we do get sales referrals from VNDB. We've had a few of them.

PL: For a few months, your VN was only available on Itch.io, a platform usually associated with free games. Regardless of other plans, what was your experience of trying to sell your title there?

JM: Itch.io isn't really a storefront where a developer can make a profit unless the game in question is very low budget, nor should they particularly expect to, what with the smaller userbase. From when pre-orders opened before release till today, itch.io sales have only amounted to roughly 1/4 of the game's development cost.

That said, we do like it, because it isn't subject to a lot of the restrictions that similar shops are, and transferring earned funds out is also much quicker than anywhere else that I'm aware of. We just wouldn't recommend that anyone only ever sell their games there.

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Blossoms Bloom Brightest

PL:  Steam, to which your game made it only recently, is a pretty inclusive platform nowadays. Why the 4-month gap between The Tail Makes the Fox showing up on Itch.io and its Steam release?

JM: I could do a huge write-up on this, but to keep things short, we didn't previously have a publishing deal for Steam beforehand. Such agreements do take some time to sort out.

In fact, we never actually heard back from the first publisher that we contacted, even though they said they'd review the game and get back to us, all the way back in October. We waited for them for a while and then reviewed our other options and decided to contact another publisher, rather than wait any longer for them.

PL: What’s your experience with Steam as a marketplace for VN? Even within the OELVN niche, it feels pretty saturated lately.

JM: If you're asking for my general opinion on releases by anyone/everyone, then yes, I agree. In February alone, I noticed that around 5? Other new otome games popped up within days of The Tail Makes the Fox releasing.

Since this is only our first full commercial title on Steam, I unfortunately can't comment on general sales trends. We've been told by other developers that all game sales have decreased dramatically from when there was Greenlight, though.

PL: Let’s talk about the game itself. One of the ways in which it stands out from most OELVNs is the voice acting. Few western studios decide to risk such an investment – what was your rationale behind including full voiceover and how much it affected the development process when compared to your “silent” titles?

JM: Honestly, we're a small studio, and we like to make games we personally enjoy. Voice acting is just one of those things for us. It's that extra something that brings stories to life. In the past, we'd experimented with partial voicing (to mixed reception), and we knew we definitely wanted to try full voicing at least once, too.

As for how it affected development – it made it longer overall in an annoying way [laughter]. I do a lot of the development footwork myself, so I was also the one who had to cut the hours-worth of voice reels into individual clips, master them, and then edit them if necessary. I didn't get much sleep in the weeks leading up to release. There was also the trouble of having to recast one role literal days before release.

I don't think I'd recommend it to the faint of heart. And if/when we do it again, it'll only be for short titles.

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The Seven Districts of Sin: The Tail Makes the Fox

PL: Still, one thing that was clear from your posts about the continuation of The Tail Makes the Fox is that it will be significantly larger in scale. Will it follow the same formula, when it goes to voice-acting and the variety of art assets?

JM: For the most part, yes. We actually had the artwork for Episode 1 finished well before release, so we don't expect that to be an issue this time, either. As I've mentioned elsewhere, however, we're considering releasing an unvoiced edition first to ensure that we can get everything done in time.

PL: Have you ever considered cancelling the further episodes, considering the rather slow momentum of the first game?

JM: No. If I may be so blunt, that would be a dick move on our part. It seems to happen a lot with OELVN developers, I've noticed, but we don't plan to end up in that group. Heck, we've had Episode 2 in development since November.

PL: About the general ideas behind your work. While otomege are a huge part of the OELVN market, they are also pretty distinct from their Japanese sources, ex. in how they present female characters. What are your thoughts on JP otome VNs and you would name any of them as inspiration for your own projects?

JM: Yes, definitely. I personally enjoy JP otome games a lot. As long as the translation isn't Engrish, I'll buy it, even if the premise isn't my cup of tea. They aren't exactly the kinds of games you go into expecting strong female leads or anything, but I do generally find their ways of storytelling very interesting.

We actually didn't have a specific inspiration for The Tail Makes the Fox. Gaki, one of the characters in the game, is the embodiment of Ashe’s (the game's writer) and my hatred for the "flirt" archetype of love interest in Japanese otome games, though. We shoved all that hatred into him and decided to... Majorly play up those traits, as anyone who's played the game or demo will have noticed.

Reflections ~Dreams and Reality~ and The Wilting Amaranth are both based on Western fairy tales, and Blossoms Bloom Brightest is loosely based on a more Star Trek-like idea I had for a larger title. Our upcoming larger otome title, Mizari Loves Company, is sort of meant to be a Western take on JP-style otome games, but it's not actually based on anything specific. It actually started as a parody idea, similar to The Tail Makes the Fox.

PL: On your Itch.io profile, you write that you create games “aimed at women of all orientations” – yuri games, and otome with a high number of yuri routes are pretty commonly enjoyed by men. Do you know what kind of audience your games usually reach?

JM: If you mean our general audience, then it's pretty even in terms of gender, based on the information available to us. The games with male love interests always have more sales from women than men, though.

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Reflections ~Dream and Reality~

PL: Do you think there’re any fundamental differences between Japanese yuri romances, targeted towards a male audience and the games you make for the Yuri Game Jam or yuri routes in your otome titles?

JM: For sure. The big one seems to be that Japanese yuri titles are very focused on the girls being young and overly pure and such (ex., SonoHana and even Kindred Spirits to an extent), as well as the popular titles almost strictly using moe-style artwork. This also applies to yuri-themed manga and anime, in my experience, so it seems to be a very cultural thing, perhaps similar to how JP otome game protagonists are often very submissive.

As a Western WLW myself, I can honestly say that those sorts of yuri titles don't appeal to me. I'd like to see actual adults with adult relationships interact, all depicted in a more mature bishoujo style. Even better if they're formatted similar to otome and bishoujo games, with proper character routes. Perfect if they're set anywhere that isn't a school.

So, yeah, we're just trying to make games that appeal to our own sensibilities as Westerners. I personally think that's a pretty huge difference in itself.

Relevant tangent: Funnily enough, though, I've been accused of both being a man and pandering to dudes because we generally don't write our female characters as chaste or innocent.

PL: Can you say which titles these comments were connected to? Your games seem very tame in comparison to ecchi OELVNs popular on the western market, or even some Yuri Game Jam entries.

JM: The comments I mentioned were all referencing Blossoms Bloom Brightest and yes, the game itself is very tame and contains no sexual content or nudity. And it's always men who make these assumptions. I'm not really sure what that says about men's views of real life WLW, but there you go.

PL: Thank you for your time!

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I hope you've enjoyed the review! Please feel encouraged to check out Reine Works' page on Itch.io and consider supporting the Kickstarter campaign for their major otome project, Mizari Loves Company. Also, all feedback on the interview itself or the kind of questions you would like to see in the future will be hugely appreciated. Have a great week everyone!

Plk_Lesiak

Two weeks ago I've brought you an interview with Reine Works' Jackie M., where we talked about realities of OELVN publishing and the specificity of women-oriented western VNs. Today, I have an immense pleasure of bringing the spotlight onto one of my favourite western VN creators. Nami is an indie game developer and author of highly appreciated yuri titles, such as Her Tears Were My Light and Syrup and the Ultimate Sweet. If you observe VN contests such as Yuri Game Jam or NaNoRenO, or you read my post about the best YGJ VNs, you should probably be at least somewhat familiar with her work – and if you’re not, I hope reading this short interview will convince you to change that ASAP. 😉 Enjoy!

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Plk_Lesiak: Hello and thank you for agreeing to this interview! Many people interested in the OELVN scene might know your Itch.io handle NomnomNami or at least recognize the style you use in your projects, but probably not much more. Can you tell us a bit about yourself?

Nami: When I’m not making my own games I’m usually screaming about Disgaea, but most of my time lately goes into working for Lab Zero on their big crowdfunded RPG, Indivisible. Right now my life is work, work, work, so I’m afraid I don't have much interesting stuff to say about it.

PL: Usually, developers that try their strength in the visual novel format have a strong connection to otaku culture and borrow various ideas and elements of style from Japanese media. How is it in your case?

N: I've been a huge fan of Japanese anime/manga/games since I was like 10, and I’ve loved a lot of games that use a visual novel style format so it seemed really natural to me. I think my subconscious goal is to write things that feel like a Disgaea cutscene - I just really love Disgaea!

PL: Disgaea is, above all, a strategy game series. Are there any visual novels that you think influenced your work? Do you read any Japanese or Western VNs nowadays?

N: While these aren't pure VNs, I really enjoyed the original Ace Attorney trilogy, Hotel Dusk, and 999. Nowadays I don't play games that often, but I browse Itch.io a lot and try to check out what other people make for NaNoRenO and Yuri Jam!

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Her Tears Were My Light

PL: As you state yourself on your Patreon page, you make games about "girls who like other girls". What inspired you to focus on this theme?

N: There's definitely a lack of quality w/w media out there – and I happen to really enjoy drawing/writing cute girls who love each other a whole lot! So, mostly I’m just making stories that are fun for me to make, but there have been a lot of people really excited to play games like mine, so I feel like I want to provide for them too. I guess in the end it's just what I’m most passionate about.

PL: Who do you think forms the main audience for your games? Japanese yuri titles are, in the end, mostly targeted towards men and there's a fair share of OELVN titles copying that format. Is there a specific kind of player you have in mind when making your games?

N: I don't really have the data to back this up but it feels like a lot of young queer people are playing them – which is great, because if they're looking for characters with similar experiences to theirs then they'll probably find one [laughter]. A bunch of the let's plays I’ve noticed are done by men, but I’m not sure if that's an accurate scope of the playerbase – maybe it only means there's generally more male-identifying LP-ers out there looking for indie games to dive into. My target audience is really just anyone who likes cute stuff.

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Syrup and the Ultimate Sweet

PL: Your games offer a lot of diversity when it comes to relationships portrayed in them and bend the gender stereotypes in various ways. What's your reasoning for including those elements and did you ever got negative feedback because of them?

N: I don't really get negative comments luckily, but I do get people who don't understand certain characters and either call them weird or ignore what the game says about them to keep their own "safe", or, I guess, "understandable" version of the character. I try to make things clear in the script without drawing so much attention to it that people feel like: "ok we get it already!". My designs tend to be feminine-leaning androgynous, so some of my boys (notably Pastille) get mistaken for girls, and non-binary characters are assumed to be female as well. It's really clear in my mind as to who identifies as what, so I actually used to get really surprised when people couldn't tell at a glance. Anyway, it's more interesting to have a wide variety of gender representation! That's why I'm trying to write characters that are less common to see.

PL: One thing that definitely makes your work stand out is your unique artstyle – did you have much experience as an artist before creating your first games?

N: I’ve always been an artist before anything else – I did fan art and comics when I was a kid, then as a teenager I got a tablet so I went into digital art and flash animations, and now I work in games. I’m glad to hear my style stands out though, it's been developing for a long time now (I'm currently 25).

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Romance Detective

PL: Most of your games seem to be solo projects, appropriately small in scale. Are there any bigger ones that you're involved in or plan to start in the future?

N: Last year I actually formed a studio with my friend DarkChibiShadow called Sofdelux – we've only released 2 games so far but I’d say Mermaid Splash was pretty big! I tend to prefer smaller projects just because they can get done more quickly and then I get to move on to the next thing, but being able to work with DCS lets me finish a big idea before I run out of energy. As I mentioned before, I’m also working on Indivisible – although only as one of the artists, not really as a creative force at all.

PL: I've already read that you're working on another part of the Treat RPG-maker game saga, do you have any other plans for 2018 that you could share at this point?

N: 2018 plans, huh... There's definitely another Sofdelux release coming. I have a lot of half-finished projects sitting around I'd like to get to, it's just a matter of time and energy. Though I'm sure some game jam will come up and I'll have a small enough idea for it and the inspiration to just go ahead and drop everything to make it. That's how I seem to work best! I'm bad at making a schedule but I hope I can release at least two more games this year!

PL: All your games are for available for free – for people that aren't already familiar with your work, where can they find your projects and if they like what they find, what are the ways in which they can support you?

N: I have a Patreon, Twitter, and a Tumblr where I post art! Patreon and pay-what-you-want through Itch.io are probably the best ways to support me, but spreading the word about my games is really nice too. I think most people find me through watching let's plays, so I really appreciate anyone who shares my stuff. Even if it's just to a couple friends <3.

PL: Thank you for your time!

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I hope you all enjoyed the interview! As always, if you have any thoughts about the kind of questions or even guests you would like to see in this segment in the future, please leave them in the comments below. All feedback and possible criticism will be appreciated. :)

Also, don’t forget to follow the links in the article and check out Nami’s work – it’s all free-to-play, unless you choose to pay for it by your own volition. 😉

Plk_Lesiak

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As we all know from experience, the formula of visual novel offers various possibilities when it goes to storytelling techniques, making especially the high-budget, Japanese games in the genre much more than just interactive, illustrated books. Still, for most VNs text is unquestionably the core method of delivering the story. This is true especially for the western-developed ones, which rarely can afford high-quality voice acting or animated segments which could occasionally replace written dialogues and descriptions. Even CGs, in a project with a very limited budget and manpower, often end up being few and far between. All this makes the literary quality absolutely crucial for the success of such projects. But, great writing is not something you would expect to find in a free game on Steam, is it?

            While Doki Doki Literature Club proved that a free-to-play, western-made VNs can from time to time surpass everyone’s expectations, in many ways it wasn’t the first project of its kind. One Thousand Lies, developed by Keinart Lobre and released for free in March 2016, both on Steam and mobile platforms, is another example of an interesting and well-developed non-JP visual novel that doesn't charge even a cent for the possibility of reading it. In my opinion, it’s also one of the more intriguing and creatively written western VNs to date, that can offer a lot of depth and artistic qualities to any reader patient enough to uncover them. Still, it never gathered attention and recognition similar to that of DDLC.

Read the full article at evnchronicles.blogspot.com

Plk_Lesiak

In March I've brought you two interviews with notable yuri and otome OELVN developers, talking with Nami and Reine Works' founder, Jackie M. Today, however, we're venturing into the world of very, very traditional romance (with equally high levels of cuteness), as my guest is ds-sans, the author of a lovely freeware VN Sounds of Her Love (be sure to check my review of that game) and the upcoming commercial title Chemically Bonded. I encourage you to join us as we discuss the place of all-ages romance in the VN scene, the role of voice acting in OELVNs and more.

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Plk_Lesiak: Welcome and thank you for accepting my invitation! While many people in the VN community might recognize your nick, they probably don’t know much beyond that. Could you tell us a bit about yourself?

ds-sans: I wouldn't really say that I'm that interesting. I'm currently an undergraduate student at university in the UK studying geography, with an interest in anime and related media in my spare time. (Although, that's died down in recent years.) If I were to describe my current background, it'd be fairly cliché, just like the stories of my VNs. I started developing VNs in 2015, while I was 16, but really showed an interest in January 2014. I didn't make it that far though and only really came back to it to prove that I could do something if I tried.

PL: Sooo... Where did the "ds-sans" label come from?

ds: In all honesty, I don't think the name really means anything. From what I remember, I think I honestly scrambled a few letters together from a car's registration plate, but this was a good 4 years ago. To clarify though, it has nothing to do with Japanese honorifics at least. I'd only started getting into anime a few months prior and still had no clue as to their usage.

The story itself isn't that special, but the name stuck and at this point, I feel that it's too late to change it.

PL: You create rather tame, cute romances in a market that seem to reward ecchi and h-content over anything else. Why this formula?

ds: Pure romance novels have always been very diverse in the EVN industry, in my opinion. From what I've personally seen, many of the tamer romance titles are either a lot more Western in style or are low-scale non-commercial in nature and target a different audience. As far as I'm aware, there are relatively few commercial B x G titles with no 18+ content which take significant influence from Japanese VNs.

Reading Clannad was really influential in my decision to focus on cute romance stories as I wanted to emphasize emotional connections between people over physical. If I were to add scenes like that into the stories, they'd need to supplement that motive as opposed to attracting more sales or getting people off. Katawa Shoujo is a good example of a VN which does h-scenes in this way. It's the formula which my inspiration is driven from, but it's not as if I'm not open to expanding into different genres for different audiences in the future.

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Lost Impressions

PL: Your first VN, Lost Impressions, used some pretty heavy themes and drastic plot developments. What inspired that project and what do you think about it today?

ds: Lost Impressions is definitely the 'black sheep' of my VNs, but I feel that's because it was the first. At that point, I didn't really have much of an idea as to what I was doing and a lot of the inspiration came from the early animes I was watching. A fusion between the cutesy romance shows and series such as Higurashi and Mirai Nikki. I just wanted to get something out there.

I can't say whether I hate it or love it, really, it just sticks there in my past as an obscure title. There are definitely parts of it I think could be better conveyed, looking back. It's something I'd like to do one day. 36,000 words wasn't nearly enough for what I was trying to convey, especially when it's split between three routes. The development process too is just as confusing as the plot itself. Most of the resources that were original to the game were sourced through work/art trades or volunteer work. A lot of that depended on just sticking with what was done, which is why there's about 5 different art styles. Still, I'd never say that I regret making it.

PL: You consistently use Japan as the setting for your VNs. Why set a western-made game – and a one with English voice acting on top of that – in Japan?

ds: One of the main reasons I take Japan as the setting for the stories comes down to the freeware nature of my first two VNs. Finding backgrounds for the games which would fit into a global range of scenarios was a challenging task at the time, with many having Japanese itself somewhere visible in the image. It's not something I minded, since at the time it aligned with my anime interests, but now that I'm starting out in the commercial market, getting custom assets is a lot easier. Even though everything in Chemically Bonded is unique, I still felt that setting the story in Japan would be appropriate to get the interest of my target audience. Writing stories set there accurately is the biggest problem about it though, which is why with Sounds of Her Love I took the approach of setting the story in an international school to avoid cultural discrepancies.

With the voice acting, it really comes down to my reasoning behind having it in the games in the first place.

PL: Staying on that topic then, you're one of the relatively few OELVN developers who seem to consistently rely on voice acting. What's your rationale behind including VA in your projects?

ds: Hiring voice actors is honestly one of the most ignored gems of making a visual novel, at least for projects with an emphasis on the story. Having an idea of how a character might sound or react in your head is one thing, but guaranteeing that each reader will think the same is another. It's one thing to add a s-s-stutter to the dialogue, but hearing the nervousness and embarrassment in a VAs voice really sells the emotions and feelings of a character and adds to the situation.

It's also easier to add personality to the characters too. In Chemically Bonded, Kiyoko is a lot more upbeat and cute whereas Naomi is blunt and insulting. Writing the lines for that is easy enough, but connecting a voice to them that suits the characters I feel allows readers to really grasp their personalities quicker than with just plain text. With voice acting, selling the scene is a lot easier and really helps to convey the story to the reader. You also get to work with really great people too, which is always wonderful to be able to do as it not just builds a community of players around the VN but a community of different people working on the project (in a way, a temporary studio of freelancers?).

I don't think Sounds of Her Love or Chemically Bonded would have done as well as they might without the use of voice acting in them.

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Chemically Bonded

PL: How would you describe your experience with implementing VA in a larger project such as Chemically Bonded? Have you struggled with any aspect of it?

ds: There haven't really been any major problems in having VA in Chemically Bonded so far. You have to account for the rate of people's work and your own ability to describe clearly how each character should sound. Most of the struggles just come from implementing that many lines into the game, especially when there's an increased focus on the conversation between the characters. Ensuring that each line is clear too is another minor thing. It's not something that usually happens, but it's always something you have to consider when having VA in a project. So far, working with the voice actresses in the project has been a wonderful experience.

PL: Sounds of Her Love, your second freeware game, had pretty high production quality and gathered quite a lot of attention. Did you make it with the switch to commercial VN projects in mind?

ds: Sounds of Her Love was really intended to be my last project at the time of starting development. After releasing Lost Impressions, I felt the need to produce something of a higher quality before really giving up on producing VNs. I never really intended to go commercial until after SoHL was released, since I didn't expect it to get that much attention.

The budget for the entire project was around $300, allowing me some leeway with hiring artists with the style I was after (the sprite artist for SoHL now working with us on Chemically Bonded as both the sprite and CG artist). The real reason I decided upon producing a commercial VN was after working for DEVGRU-P on their game Stay Stay DPRK and using the funds from their payment to invest into a Kickstarter campaign.

PL: Speaking of DEVGRU-P, they act as a publisher for both SoHL and Chemically Bonded and you seem to have a close relationship with them – in the era where self-publishing on Steam and other platforms is an easily accessible option for VN creators, do you think there's any major benefit to such cooperation?

ds: Publishing is probably one of the harder aspects of developing a commercial title. I wouldn't call our relationship that 'close', since I've really have had complete independence in creating and managing my projects, but it really is 'ideal' for a developer-publisher relationship. They're really great to work with and have picked up a few other EVN groups which I believe them to help out considerably more with certain aspects.

The only real downside to having a publisher are some limitations with managing the sales and figures of the title. I have considered self-publishing, but right now having the support of a larger entity is a real benefit and I would recommend it for people starting out with commercial game development. I can't speak for all publishers, but working with a group with an ability to provide support and additional marketing truly helps.

PL: Coming back to Chemically Bonded. Even though you reached the first stretch goal, your Kickstarter was a pretty close call, being funded less than 48 hours before deadline – did it teach you anything about crowdfunding and would you do anything differently when attempting another campaign?

ds: Social media and the importance of reaching out and spreading awareness was definitely something I took out of running Chemically Bonded's Kickstarter campaign. The work doesn't end after you launch, a lot of effort had to be put into marketing the campaign, you can't just rely on the hope that people will come across it through Kickstarter itself. Twitter was one of our biggest platforms for spreading awareness, but it reached a point where it stopped being useful in gathering interest. Contacting game/anime/VN journalism outlets was a key help in getting us past the funding goal.

One real regret is not releasing a demo for the project to go alongside the campaign. At that point, there weren't enough assets to really create one and even then I was against the idea, but having gone through most of the latter half of the campaign with the assumption that it'd fail to meet the goal, I changed my mind about the idea. I think it'd definitely help when crowdfunding another title.

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Sounds of Her Love

PL: For those who know your style of storytelling from SoHL, should they expect a very similar experience from your new game or is there something that might surprise them?

ds: People can hope to expect something similar in execution, but with Chemically Bonded a lot of the key parts have been done differently, which should hopefully surprise people and prove to be more enjoyable than what SoHL was. Looking back on it, there were plenty of issues with the story and the way it was written. I wanted to address these within Chemically Bonded as I didn't feel that they'd work out in a longer VN whereas they seemed to work given SoHL's short nature. Having two love interests too really changes the way the story has to be written, at least to include both girls into the main story without keeping their routes entirely separate.

Chemically Bonded is a lot more grounded in reality, I've tried to make the events that happen a lot more likely than what occurred in SoHL and Lost Impressions. There are no car accidents or tragic backstories, the romance isn't cliched as hell and the characters are a lot deeper than my previous works. The choices are a more vague too, rather than being predictable, so the routes and endings achieved should hopefully reflect the reader's instincts. I could go into a lot more detail, but to summarise I'd say people can expect a rather captivating romantic story like SoHL had, but will give people a chance to connect with more fledged characters and themes. That and the production quality is a lot better now we have the funding to do it, so, all in all, I think people who liked SoHL will appreciate Chemically Bonded much more. The story doesn't just end after a confession either, so I think people will appreciate that too.

PL: Assuming that Chemically Bonded meets your expectations when it goes to sales and general reception, do you have any specific plans for future VN projects?

ds: If it does, I'd like to continue making VNs at some point. I don't have any specific plans yet, and I feel like I'd need the time to really recoup interest in developing another project. I've always had on and off ideas for future VNs throughout developing all three, but when it comes down to creating something new I usually come up with a fresh idea and discard the old.

For a while, I promised a full sequel to Sounds of Her Love, and I did create plans for it, but I don't feel the need to rush into it after Chemically Bonded releases. I'd hope to branch out into different story genres, but even then I'd find it hard to escape producing romantic stories since that's what I've really become accustomed to at this point. Who knows? I might try developing two at once and see how that goes, or I might leave it at Chemically Bonded. I know for a fact that I won't be producing a sequel to it though. At the moment I stick to what I like to work on, which I think is what people should really follow when making any kind of creative project, not what the market expects.

PL: Thank you for your time!

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I hope you all enjoyed the interview - it was definitely the most detail-heavy one so far and I've had some great time working on it. As always, all feedback will be highly appreciated. What more would you want to know about the devs I invite here? Are there any specific ones whose thoughts on certain topics you would like to hear? Let me know what you think and, once again, have a great weekend!

Plk_Lesiak

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Mobile phones and tablets, especially Android devices, are strangely underutilized as a platform for VN publishing, with few high-profile titles being ported to them (especially when it goes to English versions) and underwhelming selection of dedicated mobile releases. Also, existing Android versions of famous visual novels, such as Narcissu, suffer from technical issues that you wouldn’t expect from what is ultimately a very simple application, based on text and still images. Occasional Ace Attorney spin-off or an original iOS title such as Fragment’s Note doesn’t change much in this general picture.

            This apparent disinterest of JP VN producers in the mobile market (not counting the literal dozens of mass-produced, free-to-play otome romances) makes the western-produced VNs dominate Google Play store, and while most of them might be tiny, amateurish-looking games, there are also a few notable titles that could deserve some attention even from an experienced reader. One of the most popular and interesting among those is Stellaren, a simplistic, but surprisingly enjoyable sci-fi VN, at first released in episodic form throughout 2015. This review will be based on a complete, paid version of the game, that became available in March 2017. 

Read the full article at evnchronicles.blogspot.com

Plk_Lesiak

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Note: While I didn't plan on tackling Japanese-produced OELVNs on this blog, this title is a perfect representation of mobile game market's business practices implemented in a VN and for this reason was worth a closer look. More than by itself, it's interesting as a negative example of scammy policies that aren't in any way endemic to JP developers and are sadly used by many different companies with various backgrounds.

I don’t think many people have any doubts about how horrible the mobile game market is nowadays, both when it goes to quality and dominating business models. Generic, borderline plagiaristic games, ridden with pay-to-win mechanics and exploitative microtransaction systems are a sad standard in most genres popular on smartphones and tablets, swarming the AppStore and Google Play in a way that makes it nearly impossible to find actual quality products just by browsing these storefronts.

            Considering the absurdly-high revenue that many mobile games bring their developers, often through relatively small investments, it shouldn’t be surprising that the plague of exploitative business models dominating the Android and iOS market would find its way into the world of visual novels. Still, how can you make an ultimately single-player, story-driven formula “pay-to-win”? Moe! Ninja Girls, a mobile OELVN produced for the western markets by a Japanese company NTT Solmare inc. shows that it’s absolutely possible to turn a text adventure with anime drawings into one of the most predatory, scammy games available on mobile.

Read the full article at evnchronicles.blogspot.com

Plk_Lesiak

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Warning: Heavy spoilers ahead! If you want to play this VN yourself, stop reading now. I don’t really recommend playing it though…

As much as I’m a fan of independent VNs and appreciate the possibilities that crowdfunding opened for the western visual novel market, it’s not completely rare for these projects to end with spectacular disappointment, for various reasons. Carpe Diem: Reboot is an especially interesting example of a visual novel that ultimately failed to live up to the expectations, but not because of lack of effort or poor production values, but through the sheer “virtue” of horrible writing. As I’ll be treating this as a case study of how to screw up a good concept and waste a lot of work, unlike my normal reviews, I’ll be revealing many major plot-points, including some details of the games’ endings. As Reboot mostly relies on its plot twists and mystery elements to keep the player interested, if you want to play it yourself, ignore this review or read it after you’ve completed the game.

             While the title we’re talking about was released on Steam in September 2017, after a successful Kickstarter campaign, its history starts a bit earlier, with a free VN from late 2015 simply titled Carpe Diem. This very short, but nicely written visual novel served both as a prologue of sorts and an advertisement for the crowdfunding effort which later spawned Reboot. In it, a simple story about two friends (lovers?), Jung and Ai, deciding how to use a rare opportunity to spend a full afternoon together, ended with a twist – the girl was actually a computer program, an object of delusional love of a shut-in trying to escape from his real life. The Steam achievement for reaching the end of the game, “What are you doing with your life?”, served as a somewhat ironic punchline, making clear the main themes the author tried to tackle. Good dialogues and decent execution of Carpe Diem, while in no way breath-taking, definitely showed promise and made many people (including me, although I've discovered it after the Kickstarter campaign was already over) somewhat enthusiastic about its continuation. So, what went wrong?

Read the full article at evnchronicles.blogspot.com

Plk_Lesiak

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Incest is not a rare theme in visual novels – many titles, even very serious ones, have romance routes involving protagonist’s sibling in various different configurations, while nukige are full of taboo sex in every conceivable form, including that between family members. Still, it's a topic that is very rarely done in a deep, compelling way, usually leading to a cliché conclusion like “we’re not blood-related after all, we can be together” or simply ignoring the deep social stigma connected to it and delivering an unconvincing happy ending. Even pieces of Japanese media that tried to get away from these tropes, like Oreimo, authors of which wanted to lead brother/sister romance to its logical conclusion, were cut short by the producers wary of negative reactions such story development could gather.

            Love Ribbon, a yuri visual novel developed by Razzart Visual and published on Steam in January 2017 is a rare exception to the trend I’ve described above – it not only offers a rather unusual sister/sister romance scenario, but also gives its full focus to the theme of incestuous love affair and explores it in interesting and rather realistic ways. It’s also an example of an OELVN that offers very explicit erotic content, but implements it as an optional feature that fits rather well with the story content, but isn’t in any way essential for experiencing it and doesn't affect the "SFW" version of the game in negative ways.

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The girls are both close to pure archetypes, but their backstories and interactions make the whole scenario rather believable and compelling

When looking at a game advertising itself through incest romance and offering h-content, it’s not that hard to expect it will be just a vessel for taboo porn – Love Ribbon's pacing and story set-up quickly dispels this notion though. The lead characters, Iris and Zoey, are high-schoolers who were raised not knowing of each other’s existence, in very different backgrounds and financial situations. By initiative of their father, they are meant to start attending the same school and living together in a rented house. From the very beginning, their personalities clash in a borderline-violent way – timid and well-mannered Iris being unable to cope with Zoey’s hostile and undisciplined behaviour, but still doing her best to get closer to her, initially leading to even more antagonistic reactions. Soon after, however, a sexual tension starts building up between them, leading to a surprisingly compelling story, involving not only the theme of forbidden love but also discovering one's sexuality (on Iris’ part) and exploring the shame and social stigma connected to incestuous relationships. The game never forgets the costs associated with protagonist’s choices and challenges it could create, while also being able to deliver a satisfying, warm ending (mostly thanks to the extended epilogue, added sometime after the game’s release). It’s most likely the best use of the theme I’ve seen in VNs so far, without cheap plot devices nullifying the problem or naive optimism.

            Of course, it doesn't mean that the story is in any way perfect – the main characters, while good enough to carry the plot, are somewhat standard archetypes and rarely ever surprise you with their actions – they’re believable, thanks to their backstories and good visual design, but don’t offer much depth. The scale of the game also limited the ways in which they could be developed – thankfully, the fact they’re the sole focus on the story helps a bit, as we don’t waste time on any unnecessary subplots, but just observe their developing relationship and the ever-intensifying drama connected to their circumstances. While the whole VN takes around 6-7 hours to finish, it’s well paced and keeps you emotionally engaged all the time – it only lacks the complexity of bigger titles, for example offering only very minor, ultimately insignificant choices, apart from the final one which determines the ending.

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Just like in Starlight Vega, Razz’s art is one of the strongest parts of the game, giving it a pretty unique style

Love Ribbon’s story is complemented by high-quality visual assets – especially Razz’s sprites and CGs are both pretty and quite distinct from generic anime style we often see in low-budget VNs. While not very heavy on details, they’re definitely pleasing to the eye – one might criticize the lack of sprites for supporting characters, but they’re also so rarely present in the story it’s not really that noticeable. Music, while very much standard and not in any way memorable, was definitely inoffensive and flowed well with the story content. 

            What some could probably find offensive though, on a few fronts, is the h-content. The standard Steam version of the game has its fair share of erotic moments, without explicit images, but often coupled with pretty graphic descriptions. All these scenes serve as fairly crucial parts of the plot though and it’s hard to question their inclusion – for example a scene where Iris looks up lesbian porn on the internet and then masturbates to it might seem like an opportunity for cheap fanservice, but serves both as an important part in her character development (as she tries to understand her attraction towards Zoey) and a crucial plot device (in a way I won’t mention to avoid spoilers). From this point of view, it was probably one of the better-implemented pieces of sexual content I’ve seen in VNs - still, some could be uncomfortable with the tone of these scenes even in the "clean" version of the game, it's definitely not all fluffy and innocent.

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The game can be experienced both with and without h-content – the “SFW” version still have the right pacing and a few compelling erotic moments, never making you feel like you’re missing something important

The unlockable, partially-animated h-scenes (there’s two, pretty lengthy ones) are a bit more complicated issue – I might not be the best person to assess them properly, as I simply don’t enjoy hentai, but I can say they left me with mixed feelings, even beyond that produced by my usual biases. They appeared at rather appropriate moments,  didn’t feel forced and I also can’t say anything bad about their visual execution or the text accompanying it (although, it contained often surprisingly pornographic wording). Still, as the nature of Iris and Zoey's relationship and the sexual tension between them was already communicated well enough in "SFW" version, these hentai segments didn’t seem to serve any purpose other than fapping material – and as I wasn’t interested in that, I actually only felt nostalgic for softcore scenes from Starlight Vega. For me, that approach is definitely more “hot” and fun to read, giving my imagination something to do rather than bombarding me with Pornhub-style close-ups. Yuri hentai enthusiasts should be satisfied with this content though and what’s most important, it’s completely skippable – the story’s pacing or comprehension doesn’t suffer in any serious way when these scenes are cut out and as I’ve mentioned earlier, the vanilla version still has its share of milder, but still satisfying sexual content.

            In the end though, Love Ribbon is a surprisingly compelling and enjoyable VN, obviously directed towards people already interested in yuri and not being easily put-off by taboo topics, but offering much more than just a bait in the form of a controversial subject matter. For those who like the taboo-breaking aspect of it (to some extent I’m definitely one of those), it will be a real treat but should be worth looking into for anyone that finds “forbidden love” stories appealing – the h-content being just a bonus for those really interested.

 

Final score: 4/5

 

Pros:

+ Serious, mature approach to the theme of incest

+ Good visual assets

+ Well-done 17+ erotic segments

+ Fully-optional h-content

Cons:

- Rather short

- Mostly meaningless choices

 

VNDB page

Buy Love Ribbon on Steam

Plk_Lesiak

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In my previous review I was writing about a NaNoRenO OELVN-contest entry that definitely bit slightly more than it could chew – a large scale project that, due to its short development cycle, came out rushed and deeply flawed, not reaching the full potential its premise and characters offered if handled properly. Today, however, I’m dealing with a game that is very much a counter-argument to my thesis on what can and cannot be done within NaNoRenO’s tight timeframe – a visual novel made for that same event, mostly by a single person, but which turned out to be a fulfilling and shockingly intricate experience, often considered as one of the best western-made visual novels to date.

            CUPID, created by Fervent Studio and released for free in March 2016 is a surprising success story that at the first glance had no right to happen. This gothic romance/horror story, while it has a female protagonist, is pretty far detached from any established subgenre on the VN market. However, its mature, dark themes and extremely competent execution makes it potencially attractive for many types of readers, as long as they’re not easily discouraged by highly unsettling and potentially depressing content. It also introduces a few spins on the typical visual novel formula and unusual storytelling techniques that make it stand out from most Western and Japanese titles, creating a unique, memorable experience on a market dominated by rather generic, trope-driven products.

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CUPID’s artstyle quickly sets it apart from most of generic, anime-style OELVNs, but its originality doesn’t end there

CUPID doesn’t wait long with establishing its tone and main themes – the short prologue welcomes the player with a rather agonizing introduction to the protagonist – an abused, mentally broken girl, who is driven by guilt into a horrible act of self-harm, gouging out one of her eyes (thankfully, that scene is only suggested, not actually shown). From this very moment it’s clear that the themes of mental illness and sexual abuse will be a crucial part of the game – I actually find that decision on the part of the developer very appropriate, as everyone uncomfortable with such topics or not prepared for seeing more of the tragedies the game centers around will simply drop it before risking being further unsettled.

            The prologue also presents one of the most original aspects of the game – the choice system, in which you don’t directly control the protagonists actions or thought, but instead act as a voice in her head, which she attributes to her long-dead mother – a symptom of mental instability, that depending on the path you take, will try to sooth protagonist’s pain and uncertainty, or push her even further towards madness and violence. I’ve found this system very compelling from storytelling perspective, but also felt that it adds a lot of weight to player agency and makes the cruel, abusive choices even more painful than they would normally be – if you push the protagonist towards another tragedy, the game even calls you out in a way, pointing out your cruelty and the fact you’re toying with her for your own fun or out of curiosity.

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The game’s “indirect” choice system is one of its most interesting ideas and paradoxically add a lot of weight to the decisions you make

When it goes to characters and story, the game nearly fully concentrates on a very small cast, in a setting of XVIII-century France. This creates a very focused, well-paced and fulfilling experience, despite CUPID's fairly short playtime (completing the game in 100% won’t take you more than 10 hours). The characters include the protagonists, Rosa, Catherine, a child-prodigy pianist and Rosa’s best friend, who saved her from life on the streets and marquis Guilleme, Catherine’s patron. The story spans over nearly two decades but is told without strict chronological order, jumping between the tragedy that is the main axis of the plot and its immediate repercussions on the one hand, and various earlier situations on the other (those give context to the main plot-points and slowly reveal the meaning behind the overarching mystery).

            Just like the game’s title suggests, much of it all centers around the themes of love and sex, but this mostly concerns the relation between the Marquis and Catherine and above all, serves as the fuel for both drama and horror elements – it’s not a romance VN in classic understanding of the term. This is also reflected in the endings, only one of which can be to some extent described as romantic (and which is very much a non-canon, bonus route). As you can expect from the first moments of playing CUPID, there’s no real “happy” conclusion to its story and the endings vary between bitter-sweet and utterly horrific – it’s really not a VN for those overly sensitive and I myself struggled a bit after reaching the worst end.

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CUPID’s sexual content can be somewhat graphic, but more often than not it serves the horror, rather than romance and at no point it can be considered porn

All this is complemented by very good visual and sound design. The graphical style is far-detached from the typical anime-inspired formula and rather unique, but maybe impresses most with its consistent quality and variety – a large number of CGs and interesting visual tricks in horror scenes are not something you would normally expect from this kind of free game. The sound effects and music are rather minimalistic, but do a great job of enhancing the climate and also fit well into the historical, European setting.

            In the end, CUPID proved to be a really excellent experience, one in which I have a hard time finding actual faults. Its literary values, storytelling and production qualities are all top-notch, especially by the standards of the OELVN market. The fact it’s a free game, made in a fairly short time span is absolutely mind-blowing. If you haven’t played it yet, I highly recommend it – as a fairly short horror VN it has few worthy competitors and for low the price of nothing, it’s simply a sin not to check it out.

 

Final score: 4,5/5

 

Pros:

+ Original and well implemented aesthetic

+ Very effective, unsettling atmosphere

+ Unique and well-executed choice system

Cons:

- Very dark, disturbing story – not for everyone

 

VNDB page

Download CUPID for free on Steam or Itch.io

Plk_Lesiak

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Disclaimer: I’m supporting Razz, author of this game, on Patreon and consider myself a fan of much of her work – this might obviously influence the scoring and tone of my review, although I stand by the opinions presented here wholeheartedly.

Yuri/shoujo-ai, as much as some of us might enjoy the theme, is still a fairly small niche among Japanese VNs – one that undoubtedly spawned some great titles and has a loyal fanbase, but is nowhere near being a dominant formula in the genre. It’s enough to look at VNDB statistics on romance elements and protagonist’s gender to see how relatively few quality JP titles yuri fans have available to them (especially if they have to rely on the titles translated to English or/and are looking for more than just erotic content).

            On the other hand, among western VN producers and audiences, F/F romance seems to gather a much broader appeal, with many highly-regarded titles focusing exclusively on yuri themes and some of the most appreciated developers, such as ebi-hime, devoting much of their work to them. Starlight Vega, developed by Razzart Visuals and published on Steam in March 2016, is definitely not among those most popular or critically-acclaimed western yuri VNs. Still, I think it’s in many ways a notable game worthy of a closer look – most importantly because it shows that visual novels created outside of Japan, even when they stay faithful to the general format of the genre, can have their own identity and style.

Read the full article at evnchronicles.blogspot.com

Plk_Lesiak

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Analogue: A Hate Story is not a title that necessarily has to be „discovered” or that wasn’t properly appreciated in the time when it came out – among all the VNs developed in the West, it might as well be the one most highly regarded and popular within “proper” visual novel fandom, at least before the recent appearance of Doki Doki Literature Club. Still, it’s a very important game for me personally and for the idea behind this blog, for two reasons. First, Analogue was the first visual novel I’ve ever played and a piece of media that affected me emotionally and intellectually like few other before it or since. It was not only stuck in my head for a long time, as a vivid and emotionally striking memory, but maybe even left a lasting mark on my way of thinking and my moral stances. Second, it’s a perfect example of the power of VNs as a formula that even a single person, or a tiny team can use to create something remarkable and touching, given enough effort and talent. Before I go into details of the game, I have to mention a very good review by Meru that was already featured on Fuwa frontpage – I agree with most points there and encourage you to check it out, but beware, it’s somewhat spoiler-ish. As the game relies heavily on its plot twists, I myself will try to reveal as little of the story as possible.

Read the full article at evnchronicles.blogspot.com

Plk_Lesiak

Hello Ladies & Gentlemen!

The western visual novel market, unlike the high-budget JP scene, thrives mostly through amateur passion projects and products of small, indie development teams. While this causes most of the Western VNs to be of relatively poor quality, it also promotes creativity and good stylization over huge word-counts and high production values, which are simply unattainable with highly limited budgets and manpower. This philosophy is further supported by various events oriented towards indie developers, such as NaNoRenO and Yuri Game jam – and while most games produced there might be extremely simple and rather forgettable, there are important exceptions to this rule. And, what’s probably worth mentioning, the rare, memorable games coming from these contests are still just as free as all the other ones.

Today, I’m presenting you a list of top 5 Yuri Game Jam VNs – although short and often minimalistic, these games will provide you with enjoyable and creative f/f romance stories, without asking for anything more than a few hours of your time (you can download each game for free through the links in the titles).
 

The Sad story of Emmeline Burns

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The Victorian drama by Ebi-Hime is the best know and probably most-appreciated Yuri Game Jam entry - and not without good reasons. While short and, as a kinetic novel, following a purely linear formula, this tragic story offers excellent writing, emotionally impactful storytelling and a great aesthetic, all way above the level you would normally see in a contest like this. It also doesn't rely on shock value or leave the reader with a depressing conclusion - with all the titular sadness still in place, it's a hopeful, touching story of love cut short by fate and a great reading experience - one which might have yuri romance as its main theme, but offers much more than just that.
 

Syrup and the Ultimate Sweet

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While extremely sweet when it goes to artstyle and even the main theme (candy), Syrup and the Ultimate Sweet by Nami is a wonderful short story about prejudice and friendship, that delivers much more than its cutesy exterior might suggest. With well-written dialogues, charming atmosphere and cast of quirky characters it’s a great casual experience – in many ways a polar opposite of The Sad Story of Emmeline Burns, but equally worth reading. Also, with romance being implied rather than in any way explicit, it can appeal to anyone looking for a funny, warm story, rather than just fans of the genre. 
 

Once on a windswept night

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Once on a Windswept Night is most likely the most ambitious Yuri Game Jam VN, with an intricate meta-narrative and multiple mysteries for the player to uncover. With two touching romance stories, multiple hours of content and very solid writing, it delivers much more than you would normally expect from a free game. The visual side of things suffered slightly from the relatively short development cycle, but it doesn’t change the fact that it’s a very creative and in many ways unique experience and, for a game jam entry, an impressive artistic achievement, in many ways on par with Ebi-Hime's commercial projects.

 

First Kiss at Spooky Soiree

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While not as interesting and brilliantly-written as Syrup…, this tiny VN has a lot of the same charming artstyle and heart-warming mood as the previous Yuri Game Jam game by Nami. Even if it’s too short to offer a comprehensive story of any kind, it works great as an amusing distraction between “serious” readings, with some great lines and creatively-designed characters. Closer to what you would typically expect from a game jam entry, it’s still a pleasant, worthwhile experience.
 

To Libertad

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This story of a runaway slave and a warrior who saves her life and leads her to a safe haven of Libertad is a pretty standard, but well-written fantasy tale with mild f/f romance added on top of it. The author’s focus on the main characters’ journey and fight for survival, and the bond that forms between them during that struggle effected in something rather universal, that should prove appealing not only for fans of yuri VNs or love stories, but anyone looking for a solid, short adventure tale.

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Once again, I hope you’ve found this list interesting and if you want to see more recommendations for short VNs, that are too small to offer material for full reviews, but are still worth looking into, please let me know by liking this post or sharing your thoughts in the comment section below (as YouTube'y as this might sound, I'll be really thankful for feedback).

Have a great week everyone!

Plk_Lesiak

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Disclaimer: This was the first purely GxB otome game I’ve ever played and my experience was most likely very different from that of a fan of the genre. While I stand by my conclusions, they’re definitely written from an unusual perspective.

Locked Heart is a game I’ve encountered pretty much by chance, while randomly browsing VNs available on Google Play. As a nice-looking, free title it quickly found its way into my wishlist, but belonging to a genre I usually don’t play (and apparently following a very standard otome formula), it was never very high on my to-read list. Only another coincidence, leaving me stranded in a café for multiple hours with nothing but my tablet to accompany me, compelled me to run it and discover that I’ve stumbled upon something rather exceptional – definitely when it goes to Android games, but maybe even in a broader sense.

            Developed by Dicesuki, a small studio which later created the highly-regarded Cinderella Phenomenon, and published for Android in July 2016, Locked Heart quickly became one of the highest-rated mobile VNs out there, gathering an impressive 4.9/5 score among Google Play users and a decent VNDB rating. Of course, standing out positively on a marketplace full of horrible shovelware and shameless cash-grabs might not be a huge achievement by itself – in the case of this small otome however, this enthusiastic response from the readers seems to indicate a bit more than just contrast from the absolute trash that dominates mobile platforms.

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The heavily-stylized introduction sequence and gorgeously designed UI quickly show off game’s aesthetic quality – something really stands out among the OELVNs available on mobile devices

What’s clear from the first moments after launching the game is it’s great aesthetic – the main menu screen, the UI and opening cutscene are all full of colours and gorgeously designed. While I often prefer simplicity over flashy, ornamental designs in VNs, here I couldn’t find any disharmony or exaggeration in the artstyle – it has an elaborate, feminine feel to it, but should be attractive to pretty much any reader that sees it. Other assets, such as sprites, backgrounds and CGs are of similar quality – the one paradox might be that because of how solid the general aesthetic is, the quite numerous CGs don’t stand out from what you’re normally seeing on the screen, making them a slightly less impactful than you would normally expect. Still, this is a kind of complain I would be happy to give more often.

            Locked Heart’s story is definitely somewhat standard, but it’s the kind of simplicity that I also rather appreciate – taking common themes and simply realizing them in a masterful fashion, rather than creating pointless contrivance and forced plot twists. In this case, a young, orphaned woman leaves her home village to pursue a career as a cook and gets lost in the woods. Wondering hopelessly, she encounters a mansion belonging to a noble house d’Lockes, which was said to be cursed several years in the past and disappeared without a trace. In there, she finds the family, among it three young men, turned into toys – trapped in the cursed manor, she must find a way to lift the spell and in the process, obviously, falls in love.

            As cliched as this sounds, the details of the story and the bachelors themselves make it quite enjoyable – while the main “twist” is very much predictable, the stories and secrets of the heroes are interesting and written in a convincing way. While they all appear as clear archetypes at first, it’s easy to realize there’s some actual depth to all three of them – this makes the interactions with them and the (admittedly very timid) romance enjoyable to read. The protagonist, Aura, might be slightly less fleshed-out, but still presents enough of girlish silliness and stubbornness, combined with life experience derived from her tragic childhood, to be a compelling character. That’s actually one of the tropes in western otome games that I very much enjoy – protagonists in them are usually much more than just empty silhouettes that the player can insert him/herself into.

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Obviously, every guy in an otome has to be not just handsome, but beautiful. Here, the two heirs and their butler could probably start a k-pop group without even changing their haircuts

What I might complain about a bit is the structure of the story. After a tiny “common route”, which decides (in a somewhat unpredictable way) with whom of the three teddy bears/bachelors you’ll be locked in a romance route, the choices only matter by occasionally unlocking hidden CGs or, if you find the “perfect” combination, leading you to the alternative “best ending” with that specific character. In effect, there’s pretty much nothing you can do wrong – literally every path will lead you to a positive, romantic conclusion. This makes a lot of choices, many of which don’t lead to any interesting scenes or pieces of dialogue, very much meaningless, apart from being part of the cryptic, frustrating puzzle of finding that “one true path”. This irritating trope actually plagued another western otome I’ve played in the past, Michaela Laws’s Seduce Me, and I can’t say I was ever motivated to unlock those “true” endings.

            I also have to mention that the initial premise, with all the characters being toys and sufferings connected to that curse, is pretty quickly forgone. This is definitely related to the overall length of the game (single playthrough should take you just a little bit over two hours), but leaves you with a feeling of lost potential – the teddy bears just turns into beautiful princes a bit too fast. This is also a problem with supporting female characters, which seem quite interesting, but we just don’t see much of them during the story. Overall though, Locked Heart is a really sweet experience, perfect to fill a lonely evening or kill time during a few long bus-rides. While there are many bigger, more memorable titles of this kind available on PCs and consoles, as a mobile game, and a free one at that, it’s definitely worth your time (although, for those interested, a PC version is also available).

 

Final Verdict: 3,5/5

 

Pros:

+ Three distinct, well-written routes

+ Interesting premise

+ Very good visuals

Cons:

- Pretty short, even when combining all the routes

- Could’ve done more with its main ideas

- Overly specific requirements for the “true endings”

 

VNDB page

Download Locked Heart for free for PCs or on Google Play

Plk_Lesiak

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Wait… A nukige review? On this anti-porn blog? Well, I should probably start with saying a few things about my view on porn in VNs, to avoid potential misunderstandings – this will be a bit of an essay, so be sure you don’t mind a (small) wall of text not completely related to the game itself. My actual stance on pornography in games is very… Ambivalent. I deal with porn extensively in my university studies and I’m on principle anti-censorship. I’m also very disillusioned with porn and personally don’t really enjoy hentai animation – and while I try being open-minded, I yet have to encounter a piece of Japanese 18+ media that would seriously undermine this stance.

            What do I mean exactly by “disillusioned”? Porn, including that in the cartoon form, is oriented purely towards the sexual pleasure of viewer – the uncomfortable, voyeuristic sexual positions, extreme close-ups, unrealistic variety and length of the scenes have little to do both with how actual people have sex and with any kind of meaningful storytelling. The theme of sex and even explicit sex scenes, when used well, can add to realism and depth of a story, but porn as a formula is essentially hollow, apart from its purely “pragmatic” functions. Expecting it to be anything more, in my opinion, is delusional, both because it goes against its most basic principles and because people that actually want more from it are in minority and porn creators most often don’t see them as a viable audience. Hentai adds to this already problematic mixture a significant amount of cultural and genre tropes I personally can’t stand – including fetishizing virginity, the abundance of loli characters etc.

            Why do I even bother approaching a porn VN then? Well, Cute Demon Crashers, a free game created for the 2015 NaNoRen0 contest, is not a typical hentai VN – more than that, it’s more or less an anti-nukige, promising a focus on consent and intimacy that’s lacking in many Japanese erotic games (and, obviously, many western ones as well). It also reverses the typical setup, with a female protagonist and predominantly male romance options. But, does it really succeed in delivering something significantly different?

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The gentle, respectful attitudes of the characters and the focus on consent should be refreshing for anyone tired of typical porn tropes

Calling Cute Demon Crashers a nukige is obviously a bit provocative, as the game is essentially a polar opposite of typical Japanese pornography and seems oriented exactly towards countering many tropes and techniques of showing sex that are typical for hentai. Story-wise though, it’s pretty much as basic as any porn game out there – the protagonist, a female college school student and a virgin, is spending the spring break alone at her house. While she thinking about her lack of romantic life and her friends being busy with their relationships, four demons – three incubi and a succubus – suddenly appear before her. After a short freak-out, she talks to them and they give her a proposition – before they have to go back to their dimension, in two days, she gets to know them better and if she wants, experience her first time with one of them.

            From the first interactions, the game stresses heavily the ideas of consent and mutual comfort – the sex scenes themselves are also very flexible, not only through the impressive number of options in them but also through the ability to stop them at any stage, what all your potential partners accept with understanding and care. The difference from typical erotic VNs feels pretty much astonishing and while the authors definitely wanted to appeal to women above all else, I think the way Cute Demon Crashers captures the intimacy and trust between the characters should be attractive to all kinds of readers.

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Game’s cuteness goes far beyond the title – most interactions with the incubi/succubi are adorable and enhanced by well-made chibi CGs

The games art does much to support this aura of intimacy and subtle eroticism. While the sex scenes are somewhat explicit, they feel natural in their flow and are gorgeously illustrated – paradoxically, one of my favourite elements were the simpler drawings, without full colouring, which gave extremely cute and lovely vibe to moments like the cuddling present at the end of every erotic segment. The character designs themselves and sprites during the story bits, along with backgrounds and chibi-CGs also look very detailed and pretty, not really leaving much to complain about.

            On top of all that, the sex scenes themselves are quite unique and significantly different from each other, depending on the character you chose and are consistently well-written. For the pretty obvious reason, Mirari’s yuri scene was my favourite and is probably the most enjoyable love scene I’ve ever seen in VNs – all of them though have interesting gimmicks and capitalize very well on the limited character development from the slice-of-life interactions between the protagonist and the demons. Obviously, even with the most daring choices, the eroticism is tame, staying faithful to the notion of the main character having little romantic experience and being insecure about sex. I can imagine it being too timid for some, especially if you’re looking for straight-up fapping material.

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The CG art in love scenes is nothing short of gorgeous, switching between highly-detailed, coloured drawings and simpler, but still very pleasant-looking lineart

Now, do I see any faults in this game? To be honest, it’s pretty hard for me to find any. It is a very short erotic VN and it's hard to judge it on anything else then what it tried to achieve – and I absolutely adored what it had to offer, even though purely erotic titles are something that I rarely approach and that I'm even more rarely satisfied with. This game managed to capture my heart not simply as a turn-on (although I think it can work in such way if you can do with more subtle stimuli), but as a lovely, well-crafted VN experience. As a free game it’s somewhat of a hidden gem and in my opinion deserves much more appreciation than it received so far – if you haven’t already, I strongly recommend you to try it out.

            And as the last side-note, there seems to be a BL sequel to Cute Demon Crashers in the works. If it keeps similar quality, it should be something fans of that particular niche should really look forward to.

 

Final score: 4/5

 

Pros:

+ Subtle, lovely approach to sexual themes

+ Great art assets

+ Adorable, varied cast of characters

Cons:

- Super-short

- Not much in there story-wise

 

VNDB page

Download Cute Demon Crashers for free on Itch.io

Plk_Lesiak

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Visual novels with the possibility to choose protagonist’s gender are fairly rare and the usual focus on storytelling and romance makes it especially harder to pull off properly. Creating games such as Loren: The Amazon Princess, with a possibility to choose between two fully-fleshed characters, one male and one female, with their own personalities and set of romance options takes a lot of work and only fits certain kinds of stories. On the other hand, VNs in which that choice only changes minor details in the dialogue and overall have to struggle to make the narrative convincing – especially in the female version, which more often than not will be an afterthought created by slightly modifying the default scenario.

            Razzart Visual, the author behind highly-regarded yuri VNs Love Ribbon and Starlight Vega, is also the person behind much less critically-acclaimed ecchi games, which featured female love interests and the ability to choose protagonist’s gender, making them in a way both classical romance VNs and yurige. On May 4th a third game in this formula, Wolf Tails, was released on Steam, featuring romance scenario with a rarely-seen kemonomimi variant, that is wolfgirls, and a new artstyle. How does it compare to Razz’s previous projects and does it succeed in being both a traditional eroge and a yuri?

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The gender-specific cut-ins and dialogue fragments are actually well done, although it’s still easy to notice which variant of the story was the original one

The previous ecchi titles by Razz, Catch Canvas and Happy Camper did a fairly atypical thing, adding a possibility to play as a female while maintaining a very standard, Wing Cloud-esque structure of fanservice VN. As a fan of yuri, I rather enjoy that option in Catch Canvas, as it not only was fairly well implemented (with references to the protagonist being a woman in places where you would logically expect them) but also slightly changed the tone of what was originally a rather pervy game. Happy Campers, however, failed to deliver even to that extent – while the option to play as a female was theoretically there, its effect on the story was pretty much non-existent. What’s even worse, some scenes and situations were in obvious ways written with a male MC in mind, shattering the already paper-thin yurige fantasy.

            Wolf Tails goes a step further than those previous games – apart from the gender-specific dialogue lines and some elaboration on f/f romance, it adds CGs in which the protagonist is partially visible. It’s still hard to consider it a fully-fledged yuri, as the fact of the male protagonist being the default option and the other one being added by modifying it afterwards is pretty clear and the game is sometimes struggling to do so in a logical manner. Playing with a female lead is, however, a fully viable way of experiencing the story, especially if you consistently choose the same gender and are not aware of the workarounds that made the yuri version possible.

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The romance and slice-of-life moments of the game are solid, but also generic to the point they wouldn’t be out of place in a Sakura game

Wolf Tails is also more of an actual romance story than Catch Canvas and Happy Campers. The moment a near-frozen-to-death wolfgirl appear in your remote mountain cabin, disturbing your consciously-chosen solitude, the game start developing a fairly serious and touching storyline. Even though it’s very short, taking up to 5 hours to 100% and not more than 2,5 hour for a single playthrough, it doesn't feel incomplete or particularly rushed. The heroines – nice, well-mannered Mirari and fierce (tsundere) Fuyu – could probably receive a bit more development, but the writing manages to make them appealing enough and their backstories and endings (the branching is minor enough that it’s hard to really talk about separate “routes”) have quite a lot of emotional impact.

            The downside of the short storyline is that because of how relatively shallow and simple it has to be, beyond the interesting visual designs and the brief feeling of novelty from the wolfgirls it comes out as very generic (with the corny concluding moments only strengthening that effect). My experiences with Razz’s previous work probably made this problem even deeper – knowing well the style of Zestubou, the writer she consistently works with, I knew pretty exactly what to expect, including the wording and scenarios in the erotic scenes. For most readers, it shouldn’t be a huge problem though, as the game more or less delivers on its main promises – being a cute, fun romance story with a decent portion of “sexy” elements (including the fully-fledged 18+ CGs unlockable through a free patch).

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Although for the first time under the Razzart label the art was not drawn by Razz herself, the visual quality of the game is as solid as ever

What definitely helps the sexiness and cuteness becoming actual upsides of the game is the fairly unique and gorgeous art by Naso4. Being a bit of an opposite of Razz’s style, with sharp outlines and a bit extravagant designs, it was something that took me a few moments to get used to, but the actual quality of sprites of CGs was impossible to dispute. As is all of Razz’s game, the rest of production qualities was also high, with very pretty backgrounds and aesthetically-pleasing, functional UI. My personal plight of not noticing the music in most OELVNs, however, wasn’t broken here and, as usual, I will interpret it as the soundtrack being serviceable enough to neither stand out nor get in the way of experiencing the story.

            So, in the end, is Wolf Tails worth your time? In my opinion, it’s definitely a well-made, enjoyable little romance VN and I definitely don’t regret my time with it. If you’re into love stories and/or are looking for slightly different visual style and themes than in most romance OELVNs, it should definitely deliver. With how short it is, however, it might be debatable if it will be worth the full asking price of 10$ to everyone – if you’re not sure whether you’ll truly enjoy it, wait for it to go on sale. That way you really shouldn’t ever regret picking it up.

 

Final score: 3/5

 

Pros:

+ High-quality art

+ Not overbearing fanservice and erotic scenes

Cons:

- Very short

- Cliched story

 

VNDB page

Buy Wolf Tails on Steam or Itch.io

Plk_Lesiak

Hello Ladies & Gentlemen!

As much as most of us might be completely broke after Christmas, there's still 5 days before the giant seasonal Steam Sale comes to an end and at least until late spring, this is the best opportunity to grab some quality Western VNs on the platform for very little money. Because of this, today I present you with a completely subjective list of 12 OELVNs that you should probably buy while they're unreasonably cheap - you definitely won't regret having them on your 2018 to-read list. The games will be sorted by discounts, rather than quality, but all of them are solid titles definitely worth your attention. :) Just for the note, every game here was listed with the US pricing, the cost might be slightly different in other regions.

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Highway Blossoms (-75%, $2,49)

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One of the highest-rated western Yuri visual novels is a heartwarming and emotionally engaging road tale, that might grasp even those that are not fans of the f/f romance, thanks to an interesting setting rarely seen in VNs and consistent storytelling. For yuri fans, it's still one of the best games of this kind available in English - while waiting for another chapter of Flowers or other big JP release coming to the West, there's maybe no better title to fill the void.

Ace Academy (-75%, $4,99)

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PixelFade's first project is one of the very few successful attempts at adapting the typical romance VN formula in the West, with an expansive plot, high production values and full voice-acting. While definitely retaining an "indie" feel and having some clunky elements (like the super-simplistic mecha "combat" mechanics), thanks to a fairly spectacular Kickstarter success Ace Academy was able to become one of the most impressive non-JP VNs to date. It's not an eroge, so it might disappoint fans of H-scenes, but offers a good story and well-crafted characters that should be satisfying to most readers. It also features one of the most adorable little-sister characters in history, which for me counts as a huge positive, even if she's not romanceable. :P

Asphyxia (-75%, $1,49)

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My list might feel heavy on yuri, but this simply reflects how important the genre is for western VN scene, being a much bigger part of the market when compared with Japan. Ebi-hime's most appreciated commercial title is an unusual, allegorical tale with a lot of references to classic literature, XIX century English authors and A LOT of heavy themes, including unrequited love, substance abuse and depression. While a rather heavy read, requiring some patience and attentive reading, it's one of the most unique VNs produced in the West and one that fully embraces its cultural heritage, rather than unnecessarily borrowing tropes and setting from JP scene.

Cinders (-75%, $4,99)

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Otome is another genre that definitely receives more attention from western VN producers than in the Japanese market (among other reasons, because there's a lot more woman involved in the western scene proportionally to Japan). This retelling of a classic fairy tale might not give it as strong of a spin as Cinderella Phenomenon, but offers a striking visual style and an expansive, well written story - even if otome is not your thing, for a mere few dollars you're asked to pay for this game it's something definitely worth your attention.

Strawberry Vinegar (-75%, $2,49)

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If you don't feel like reading through depressing dramas of Asphyxia or The Sad Story of Emmeline Burnes, ebi-hime got you covered with this incredibly sweet, heartwarming experience. This tale of an unwelcome, supernatural guest and a lot of delicious food might look diabetes-inducing, but with its unique artstyle and relaxed storytelling should definitely leave you in a good mood - especially if you enjoy yuri themes.

Starlight Vega (-60%, $5,99)

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Starlight Vega might be one of the more obscure VNs on this list, but just as I've shown in my review, it's not without some fresh ideas and undoubtedly delivers on the aspects of visual quality and yuri romance. This rather relaxed, fantasy tale in modern setting avoids many most common VN tropes, offering a pretty distinct, fun experience, although with the heavy focus on the relationships might be less attractive for those not interested in f/f romantic stories.

Long Live The Queen (-50%, $4,49)

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This sweet-looking VN/dating sim hybrid might seem innocent, but under that cutesy surface, there's hidden a grimdark political simulation, with a very complex story, many branching paths and dozens of ways to meet early demise as the future queen of the realm, surrounded by enemies and layers upon layers of intrigue. A must play for everyone that looks for a VN-hybrid with actual challenge and stakes in it - exploring different options and trying to reach satisfying ending will give you many, many hours of engaging fun.

Magical Diary: Horse Hall (-50%, $7,49)

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This Harry Potter-inspired tale of a novice student in a magic academy is another rather unique dating sim/VN hybrid made in the West. While its simple, cutesy artstyle might suggest something light and straightforward, there's a surprising amount of depth, story variation and interesting mechanics in this game, including a wide selection of unusual romance options. While mostly cheerful, it will surprise you more than once with fresh ideas and fairly bold storytelling.

Royal Trap: The Confines of the Crown (-50%, $9,99)

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This otome game by Hanako might follow a somewhat standard formula but introduces a very strong, proactive female lead and a deep political intrigue at the centre of the plot, offering much more than just a sappy romance story. With multiple routes, both romantic and friendship-oriented, it's one of the more expansive and complex western VNs available on the market and should prove interesting to readers of various tastes, not just typical fans of the genre.

A Little Lily Princess (-50%, $7,49)

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A Little Princess should be a title not only known by enthusiasts of classic English literature but also devoted anime fans, thanks to the highly-regarded show Princess Sara and a few other adaptations. This VN version of the story, developed by Hanabira, stands out not only through its well-done aesthetic, matching well the setting of Victorian-era London, but also by a mild yuri spin. Thankfully, it never goes overboard with the romance, maintaining the charm and heartwarming message of the original story, while also giving additional depth to some of the characters not really explored in the book or earlier adaptations. The end effect is a great, emotionally engaging tale not only for yuri fans.

VA-11 Hall-A: Cyberpunk Bartender Action (-34%, $9,89)

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VA-11 Hall-A might be pretty far-detached from the typical VN formula, but its striking artstyle, strong storytelling and a cast of memorable character won it pretty much universal acclaim from both game critics and players and should provide a satisfying experience for any VN enthusiast. While it might be one of the more expensive games on this list, it's also one that shouldn't disappoint even the most demanding readers.

Analogue: A Hate Story (-33%, $6,69)

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Christine Love's sci-fi mystery VN is definitely worth its full asking price, but when it's on sale, you have even fewer excuses not to buy and play it. Well developed intrigue, immersive visual design and memorable characters make it one of the best Western VNs ever made, still having few serious competitors 5 years after its release. If you don't fixate on its clear ideological message, it offers an amazing tale of oppression, hate and vengeance that can hardly be read without leaving a lasting impression.

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I hope you've enjoyed my recommendations and I wish you a Happy New Year, full of both non-JP and JP VN-reading pleasures, among many, many other happy moments. ^^

Plk_Lesiak

Hello there! It's not Friday, so it has to be an unusual post and it definitely is one...

It will be a bit chaotic too - only now, late in the evening, after taking a day off and pursuing the only lesbian romance route in Tales of Aravorn: Seasons of the Wolf for most of it, I've realized that today is Lesbian Visibility Day. For me, both as a fan of yuri and as an appreciator of OELVNs it probably should be one important holiday - definitely worthy of a few moments/words of reflection.

Visibility as something inherently positive is a curious idea. It's based on a very important and reasonable assumption, that to make something a public issue and fight for social change, you have to make people aware of that phenonenon's existence, scale and the consequences it might have for those most affected by it. To fight for the acceptance of gay people and systemic change that will give them equality before the law (and, hopefully, equality of opportunities), you cannot accept the conservative argument that sets sexual orientation as a purely "private" matter - the long-lived stance that wants people to visibly adhere to social "norm" and not "bother" others with the fact they're different. Most often, if you want your rights to be respected as a member of a minority group, you have to be loud, you have to be bold to the point of possibly being obnoxious and offensive to some people. You have to fight tooth-and-nail to make sure you won't be trampled by the majority's concepts of what's "normal" and "proper". In many Western countries, for lesbians that fight is to a large extent already "won" - the majority of people see them as a legitimate group worth respecting. Not everywhere though and it's not clear to what degree these gains are permanent. 

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Hopefully?

But is all visibility a good thing? Paraphrasing painfully accurate thought by @Fiddle, we don't really praise Adolf Hitler for bringing attention to Jewish issues in Mein Kampf. Yuri, is, obviously, not nazism. It's not in any inherent way a negative phenomenon for the lesbian cause. But it's also not automatically an ally of any progressive agenda. Japanese media is full of depictions of lesbian romance, which reaches a society that ignores LGBT issues in a way more persistent than pretty much any other highly developed country. For me, it's not especially surprising - just like the saturation of Pornhub with lesbian porn probably doesn't lead to people watching it going to their local Pride parade, fetishized, male-oriented yuri themes in anime and VNs do not have to translate into any kind of educated attitude towards RL queer women. And Japanese yuri, at least until recently, didn't really have an ambition of grounding its narrative into any kind of reality of homosexual romance. SonoHana series is the perfect example of completely isolated, imaginary "yuritopia" (to borrow a handy term from Yurirei), where a huge number of young females live in a world where males exists only in passing references, pretty much everyone's gay by default and there's no prejudice or social stigma connected to that fact - which, of course, make possible a gigantic number of voyeuristic porn scenes. Is it a bad thing by itself? Not really. Does it make people more aware of the situation of sexual minorities as a social issue? Hell no.

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Admittedly, some Japanese depictions of yuri romance are probably too lovely and heartwarming to say anything bad about them...

Obviously, there's a lot of issues with representation of women in anime and VNs and I don't want to write a book here. I want to make a slightly different point and this goes to yuri romance in English VNs. This is also not a black and white picture - many EOLVNs directly copy the Japanese formula or give slight twists to it, while still keeping the "lesbian porn for guys" premise. However, for every Negligee and Sakura Fantasy our VN scene produces maybe even a couple of projects that are genuine expressions and/or appreciations of lesbian identity and realities of lesbian relationships. Throughout the various editions of Yuri Game Jam, NaNoRenO and in many commercial titles, I've seen lovely, touching, thought-provoking depictions of f/f romance that gave me huge pleasure as a reader, but also made me empathise with people different than me. Christine Love's work I think holds a special place here, with powerful and persuasive depictions of discrimination and her courage in exploring themes that commercial games rarely dare to go anywhere close to, from Analogue to Ladykiller in a Bind. Lately, Brianna Mei's Butterfly Soup gained similar notoriety, also through a genuine message and creative passion involved. But even small, cute and silly games such as those by Nami can have a genuinely positive role to play, confronting people with diversity in an approachable and lovely way.

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One other thing that OELVNs regularly prove to me is that some small, indie games can have more soul in them than many giant, high-budget productions...

I, in all of this, have a pretty questionable position of a straight guy that finds lesbian romance lovely and, to a certain extent, hot. The more genuine the romance depicted is, the more I'm probably a bit of a creepy voyeur getting a high out of something that for other people is part of their identity. But no matter how we see that problem, this genuineness depicted above is something I absolutely love many yuri OELVNs for and a thing to be shared and appreciated. And that's my message for this day.

Thank you for reading! :)

Plk_Lesiak

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I usually try to avoid reviewing really bad OELVNs, unless they’re especially interesting or notable despite its failure – after all, in any semi-amateur game development scene, the bad and horribly iterative titles will be far more numerous than those actually worthy of your attention. Writing about the former, especially when my goal is to promote OELVNs as a niche worth exploring, is simply a waste of time and possibly even counter-productive. However, just like Carpe Diem: Reboot, today’s game is a great opportunity to look at some problems and tropes very characteristic of the Western VN scene, in a game that actually had the production values and traces of genuine effort that should at least make it an average, reasonably enjoyable product. And the sin that made it ultimately fail was not silly writing that plagued Carpe Diem, but something even worse – boredom.

            Sweet Volley High, developed by New West Games and released on Steam in October 2016, was marketed as a “yuri/otome Visual Novel”, featuring a female protagonist and both female and male romance options. While some might already feel unease about such use of the terms "yuri" and "otome", both of which usually denotes a bit more than just romantic configurations available, it hints at a much deeper problems – game’s utter lack of personality and very poor use of the themes it tries to tackle. Supposedly trying to appeal to a broad audience, it in reality wasn’t able to replicate the appeal of neither yuri nor otome games, just as it didn’t manage to create a satisfying alternative to those formulas. But, why exactly that is the case?

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The game’s art is inconsistent, but is far from being Sweet Volley High's worse element and occasionally the CGs can be quite pleasing to the eye

The game’s biggest problem is most likely it’s protagonist, Aya. This time, however, it’s not about her negative, annoying or unrealistic traits and more about lack of any interesting characteristics whatsoever. An apparently average, even boring lead is not a rare occurrence in the world of VNs. There is one catch there though – normally, there’s either some kind of secret that changes our perception of the MC drastically or something happens that forces them to rise above mediocrity and become a compelling character. Here the protagonist is simply dull, even in her better moments and also has a quality that for me personally was off-putting – she utterly lacks any charm or femininity that makes yuri VNs different from most of what's available on the market and interesting to read. Her dialogue and thoughts simply screamed “a guy wrote that”, killing the last possible piece of appeal she might’ve had.

            This problem is deepened by the atrocious pacing of the pretty long common route, during which Aya discovers her passion for volleyball and, for the first time in her life, starts to work towards a goal. The romance options are mostly connected to her high school’s volleyball team (apart from the male route, which features an aspiring soccer player), but it’s hard to emphasize how obvious and uninspired all the plot-points and character introductions feel at this part of the game – surviving the 3-4 hours of reading, until the first choices appear and the romance arcs start to develop, can be a real challenge. There’s a thin line between casual, slow-paced storytelling and showing things that are absolutely mundane and inconsequential and from the first, long episode of Aya looking out of the window during class and explaining how average and bored she is, Sweet Volley High is definitely on that second end of the spectrum.

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Maybe nothing drags Sweet Volleyball High down more than the fact how bland and uninteresting the protagonist is – a sad exception among the western yuri VNs

There’s one interesting surprise waiting for those more patient readers though, and that’s the structure of the romance routes. Firstly, when you would expect some of the romance arcs reaching a conclusion soon and giving you a happy ending, the game introduces plot twists and additional layers of drama, that expands the story significantly and giving it additional depth. This works especially well in the Nanami route, which also feels like the most developed and interesting part of the game. The really unusual elements show up in two smaller character routes, both of which only have a bad ending – one leading to your love interest cheating on you, the second one ending with a rejection. While this undoubtfully enraged many readers, it’s probably the biggest positive I can find about this game – these “dead end” routes represent a form of realism and respect for the characters that is rarely seen in romance VNs. The failures of the relationships in them do not "come out of nowhere", but are strongly connected to the established traits and life situations of those involved – they're both possible to predict and in a way quite refreshing (even if the actual execution, especially with Eri’s mini-arc, leaves a lot to be desired).

            When it goes to art, the game is fairly inconsistent – there are some very pretty CGs and the sprites don’t look that bad, but they seriously lack variety and some assets are fairly laughable – including some of the hentai illustrations, which are supposed to be one of the game’s selling points. Maybe the worst of it all is probably the user interface – it might seem petty to focus on something this “minor”, but in a title where you spend most of your time reading, an aesthetic UI is very important. How it looks in Sweet Volley High, apart from a pretty nasty colour pallet, simply screams generic and uninspired, showing the general lack of attention to detail and ambition on the part of the devs.

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The one good romance arc is definitely worth mentioning, but it can’t nullify the absolute agony of reading through the common route

There’s also one thing that could be counted among the game’s redeeming qualities, but which really even worsened it for me personally – partial voice acting. While I’m already not a fan of that technique (really, either voice your game fully or let my imagination do its job, rather than randomly switch between silent and voiced moments), the way it was done here is even more distracting that it had to be – apart from fully voiced lines, there are voice cues that appear repeatedly in otherwise silent parts of the dialogue – after a few times of hearing “Aya!” at the beginning of an unvoiced sentence I was just tempted to mute voice acting altogether. The only reason I didn’t do it is that whenever full VA is present, it’s actually very decent, definitely above an average quality level for OELVNs.

            In the end, though, the relatively positive elements simply couldn’t change the ultimate problems of the game – its poor pacing, uninteresting lead and utterly unappealing common route, that makes it impossible to really get immersed or care about the characters. What also might be worth mentioning, the game takes place in Japan, but there’s not a single plot element that would really benefit from that fact – it's like if Sweet Volley High actively tried to be the most generic “weeb” title out there, making sure to avoid any originality or inclusion of dev’s own cultural background. Because of all that, it proved to be a thoroughly unsatisfying title and I strongly recommend avoiding it at all cost.  

 

Final score: 1,5/5

 

Pros:

+ Good voice acting

+ Bold storytelling in some of the routes – not every romance will have a happy end

Cons:

- Horribly boring common route

- Unlikable, boring protagonist

- Annoying voice cues

- Poor visual design

 

VNDB page

(Do not) buy Sweet Volley High on Steam

Plk_Lesiak

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Although a significant portion of VNs produced in the West is published for free on platforms such as Steam or Itch.io, most of them are very short and simple projects, often made by starting-out developers or as quickly put-together entries for contents such as Yuri Game Jam. Still, from time to time, it’s possible to find a VNs on a completely different scale also available as free-to-play releases – AIRIS, created by Ebullience Games for NaNoRenO OELVN event and published on April 2017, is definitely among the most expansive games of this kind, with proper route structure and impressive story variation, that will require you many hours to fully experience.

            While at first glance this otome might look like a generic fantasy romance, it offers a few fairly unique ideas (which I will not spoil in the review) – and those go far beyond its loudly advertised inclusivity, expressed through various LGBT+ themes. While not straying far from the typical formula of the genre, AIRIS indeed offers both a fully-fledged yuri romance route and another one focused on a non-binary character. More importantly though, it takes the somewhat overused trope of MMORPG and gives it an amusing spin – one which created some really interesting storytelling opportunities, even if their execution often left something to be desired.

Read the full article at evnchronicles.blogspot.com

Plk_Lesiak

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Warning: This is review is based on the Steam version of the game, without the 18+ content unlocked. The free uncensored patch unlocks two dozens of CG, including straight-up hentai scenes and adds more nudity to the "clothing damage" system. The "clean" version, however, is still very heavy on sexual themes and does not feel "incomplete" when it goes to the story.

Among the dedicated fans of visual novels the infamous Sakura games by Winged Cloud are one of the most despised and ridiculed elements of the Western VN market. But, as much as we might not like it, it’s also a very popular and in many ways seriously influential series, one that played an important role in popularization of visual novels in the West (and most likely did a lot to cement the very poor perception of the genre in  the PC gaming community). After the surprising success of Sakura Spirit in mid-2014, with its viral spread all over the Internet and nearly 500k copies sold on Steam, Sakura franchise spawned a huge number of titles – mostly very lazy, relatively short VNs filled with tons of fanservice, uninspired writing and poorly-executed popcultural references. At the same time, the company behind it became unquestionably successful, with decent sale numbers throughout the years and a thriving base of Patreon supporters. The ecchi formula established by Winged Cloud, throwing nudity and mild sexual themes at the player at every possibility while never going into actual pornography, proved once again that in the VN world “sex sells”, even without actual sex or any other merits that the game could offer (full-on hentai titles came later). 

            There were, however, two times when Sakura series tried to offer a little bit more than that. The first one was Sakura Fantasy, a yuri VN in which obvious effort at crafting a better story and giving slightly more meaning to the sexual content was appreciated by the players – however, what was meant to be an episodic game, forever stopped at the first chapter. Maybe the production costs associated with actually giving a f*** proved too high? At this point, no one truly knows. The second attempt at innovation on Winged Cloud’s part produced probably the most interesting (and definitely highest-rated) game in the series – the yuri-themed VN/dungeon crawler hybrid called Sakura Dungeon, that I will be taking a closer look on today.

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In Sakura games, fanservice is the ultimate goal of everything you do. But why not give the player a reasonably good game on top of it?

So, what the “best Sakura game” is all about? Story-wise, it follows an ancient fox spirit, Yomi, who is freed from a magical prison and attacked by a female knight named Ceri – an adventurer hunting such “monsters” for a living. Ceri is quickly overpowered by Yomi and magically bound to serve her, and together they go on a quest to reclaim the dungeon which the fox spirit once ruled, but which she lost after being betrayed and locked away. Non-human, centuries-old protagonist is already something we don’t really see that often and the game does surprisingly good job at developing Yomi as a patient and in many ways benevolent, but somewhat eccentric being, with vast knowledge and a perspective very different from that of Ceri, who, who is not only unmeasurably younger, but can also be hot-headed and prejudiced. While the game’s writing, in general, is rather bland and rarely in any way original, this main couple is definitely its best part.

            What we get after this initial setup is, however, above anything else, fanservice galore, with occasional yuri themes. Every “monster” in the dungeon you explore has the form of a scantily clad girl, which can become even more exposed if her clothes get torn after a critical hit (this is an actual, meaningful game mechanic, which lowers defence and can also affect members of your party). Also, nearly every boss fight, special encounter or in-town event between dungeon runs awards you with more or less nude CG. With 30 levels of the dungeon, impressive enemy variety and around 20 hours of total gameplay, there's definitely tons of anime boobs and girls-kissing-scenes to be seen. While I’m personally not a huge fan of the artstyle used by Wanaca, Winged Cloud’s main artist, I can’t say that Dungeon’s art is in any way ugly or that I didn’t find a few pieces in that sea of fanservice somewhat appealing – their general quality and variety were quite impressive, even if they usually weren’t “my thing”. Also, there were some bits of actual romance in the story that maybe didn’t get any serious development (sadly, even between Ceri and Yomi when it begged for something more than just hollow fanservice and one scene of cuddling), but definitely weren’t a bad addition.

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While Sakura Dungeon’s writing might often feel bland and generic, its main cast isn’t as shallow or uninteresting as you might expect

As for the dungeon crawling aspect, for me it was definitely a positive surprise. While it’s pretty simple – with traditional hex-based movement and no gear, just levelling and some permanent stat-boosting items – it’s also for the most part pretty well balanced and the levels are decently designed. On the standard difficulty, the game flows very nicely, without unnecessary grind or pointless backtracking, just letting you explore the levels and progress smoothly after you’re done with it. One of the game’s core mechanics, capturing monster girls and incorporating them into your group (up two six at any point, with possibility of switching members when in town) also makes every new level interesting, as it provides you with a challenge of discovering and subduing new types of enemies and fitting them into your team composition. With consistent switches into dialogue and secrets/events hidden on every floor, it makes the core gameplay quite engaging and entertaining. For those interested in more challenge and spending more time on RPG elements on the game, two higher difficulty settings are available – for me however the default one felt pretty much perfect.

            As I’ve already complimented the CG and sprite artwork, the same has to be said about the other visual assets – the dungeon itself looks quite appealing and have a pretty decent variety, switching the main theme multiple times (ex. from a cave, to ancient-Egyptian ruins, Japanese architecture etc.). Same can be said about other backgrounds and things like attack animations – they all are at a very consistent level of quality and, maybe most importantly, gives the game quite a lot of climate. The mood is also supported by a great soundtrack by Zack Parrish, which could very well be used in a much more “serious” RPG game and absolutely wouldn’t feel out of place. All this, at least for me, made Sakura Dungeon a surprisingly relaxing and fun experience, even if I’ve found its desperate attempts on being “sexy” quite laughable (if anything, it was rather cute).

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Dungeon crawling, while might get slightly tedious in later portions of the game, have surprisingly good pacing and atmosphere

Paradoxically, all those positive things I can say about this game lead me to a rather sad conclusion. Winged Cloud is not a team without some talent or interesting ideas but is above all a team without ambition. Sakura Dungeon was the last example of them trying to innovate and present their audience with a different, more compelling product, that isn’t simply a few hours of nonsense dialogue in between blatant, trashy fanservice. Maybe the relatively low sale numbers, below “masterpieces” such as Sakura Agent or Sakura Beach 2 discouraged them from actually trying. It’s possible that their core audience is actually just interested in anime boobs, without the need for any innovation or variety.

            Still, I want to believe that caring about quality is actually worth it and I can respect a product even in the most trashy format, if its authors are interested in making a decent game, rather than just making a few quick bucks through as little effort as possible. Winged Cloud, however, seems to be only interested in the latter and I have little hope on them changing this attitude unless their own fans force them to. Knowing this and with the allegations of nasty business practices by the company’s CEO, I can only cautiously recommend buying Dungeon and suggest avoiding everything else by Winged Cloud, both for your own good and the good of the industry.

 

Final score: 3/5

 

Pros:

+ Interesting protagonist

+ Well-balanced RPG mechanics

+ Tons of content and “monster” types

+ Great soundtrack

+ Decent art

Cons:

- Fanservice, fanservice everywhere!

- Often uninspired writing and absurdly forced “sexy” moments

- Grindy on higher difficulty settings

 

VNDB page

Buy Sakura Dungeon on Steam

Plk_Lesiak

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The western otome scene offers a decent amount of hidden gems – small, often obscure titles, that nonetheless offer impressive artistic qualities and/or interesting, unique ideas. For me, it also never stops being surprising how many of those games are published for free, sometimes even without any Patreon support or other regular forms of monetization on the part of their creators. Magical Otoge Ciel and Magical Otoge Anholly, developed by Batensan and published for free on Itch.io in 2015 and 2016, are among many high-quality, free otome VNs produced by the booming indie scene in recent years. Still, their author was able to establish a fairly interesting, distinct style both when it goes to art and the storytelling, very consistent between instalments and likely to be continued this year with the upcoming Magical Otoge Iris (with major hints at other, future projects). As both games are fairly short and simple, I will review them together – the very similar writing, art assets and even shared elements such as UI structure and parts of the soundtrack make it justifiable to treat them basically as episodes of a single game. But what are they really about?

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Magical Otoge Ciel could be a really memorable experience if the main heroes were just slightly more interesting – it shines the most in Ivin’s bonus route

Magical Otoge games, while only very loosely connected with each other when it goes to actual storylines, share a single, low-fantasy setting and offer similar, comedic formula with very casual storytelling and cute, light-hearted romance. While they’re not completely devoid of drama, they focus on entertaining the reader with witty dialogues and amusing interactions between the (female) protagonists and their (male) companions. The first game especially follows a rather predictable otome formula, with Ciel, a princess frustrated with her isolation from the world and inability to travel and explore it, escaping her kingdom accompanied by her personal knight and his brother. On her adventure, she falls in love in one of the three possible heroes and receives an (unavoidable) happy ending. With little tension and uncertainty in the story, what makes it work are the amusing clashes between the overly-optimistic and slightly airheaded princess and her dead-serious bodyguards. Things are maybe most interesting though in the bonus route, focused on Ivin – a wildcard character, whose unclear intentions, mysterious past and sarcastic attitude make the dialogues even more amusing and add some additional intrigue to the overall story.

            All this is supported by somewhat minimalistic, but aesthetically pleasing art assets. With all art drawn by Batensan herself, the games have a very consistent and pleasant-looking style, but also suffer from lack of variety, especially when it goes to backgrounds and CGs – every route in Ciel usually only have 2 unique drawings, which is absolutely understandable in a free game, but makes it harder for the story paths to feel unique and makes the game struggle to give appropriate impact to some scenes. Something similar could be said about music, which is nice to listen to and fits the games' climate very well but, especially when repeating in the second instalment, can get slightly tiresome.

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The second game does a better job at creating an interesting, varied cast of characters, while also maintaining the series' main strength - the light-hearted, well-written humour

While you might have already noticed that I had a bit of a problem with first Magical Otoge game playing it too safe, without any high stakes and only little bits of convincing drama, the second one came close to fixing that. Anholly tells a story of a young woman cursed with rampant ice magic – everything around her slowly transforms into a frozen wasteland and she ends up being the only inhabitant of her village after her parents pass away and everyone else leaves the unbearable conditions. People not identifying her as the source of the curse most likely saved her from being killed, why the kindness of her childhood friend, regularly delivering her supplies is the only thing preventing her from a lonely death.

            This is, admittedly, a fantastic setup for slightly more grim and deep story and while the author never abandoned her comedic style (with 4th wall-breaking jokes and puns all over the place), for the most part, it worked great. Also, this time strictly linear structure of the plot helped the quality of the writing and the pacing of the game, which wasn’t always consistent in Ciel. In Anholly, the storytelling has a clear focus and the developing relationship between the protagonist and the game's main hero (who shares a similarly tragic background) is both fun and intriguing, even with the hopeless situation they both ended up in.

            It all leads to a predictably dark, emotional ending... Or rather, what would be a very melancholic, but compelling conclusion, was partially dismantled by the Batensan’s attempts to make it light-hearted against all odds (and probably even against the internal logic of the setting). Really, sometimes VN writers should just let sad things be sad – in some cases, a compelling story really needs that.

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Both games have their touching and sad moments, but their general atmosphere is very positive – possibly to a fault, as some plot-points would be more impactful if the author let them be appropriately melancholic

To complete my obligatory complaining, I will also mention that the humour in Ciel did not always fit my taste, with modern-age metaphors and references that really had no place in the setting. It might be superficial to criticize that in an already 4th-wall-breaking game, but I always see that kind of "jokes" as symptoms of sloppy writing more than anything else – and admittedly, the second game is much more consistent in this regard.

            In general, though, both titles ultimately proved really heart-warming and fun to read. If you’re looking for a casual and relaxing experience, I can recommend them pretty much without hesitation – while in theory the games are oriented towards a female audience, the cute romantic setups and the main themes they touch upon are very much universal. Especially as free products, they're definitely worth a try. Although, if you really don’t like otome or prefer fast-paced storytelling, they might still bore you out of your mind.

 

Final score: 3/5

 

Pros:

+ Interesting artstyle

+ Pleasant, light-hearted storytelling

+ Genuinely funny

Cons:

- Could use a bit more tension/higher stakes

- Lack of visual variety

 

VNDB pages: Magical Otoge Ciel; Magical Otoge Anholly

Download Magical Otoge Ciel and Magical Otoge Anholly for free

Plk_Lesiak

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Disclaimer: I was provided with a free review copy of this game by the developer. All opinions expressed here are solely my own.

Be sure to check my interview with Jackie M., founder of Reine Works, the studio behind The Tail Makes the Fox

What better way to link my otome-themed weeks and the upcoming yuri event, than with a game that has an equal share of male and female romance options – especially if its one made by a studio most known for their Yuri Game Jam contributions? The Seven Districts of Sin: The Tail Makes the Fox - episode 1, developed by Reine Works and published in October 2017, came to my attention in an unusual way – a review copy of it was, to my genuine surprise, sent to my freshly-created Steam curator page. Adding to my confusion, while the game’s release date suggested it was out for a few months already, it had no VNDB ratings or Steam reviews whatsoever.

            While contacting the game’s developer clarified a few things (like the large gap between the initial Itch.io release and the game actually hitting Steam in early February 2018), a few weeks later its generally overlooked status seemed to change only a little. So, is this comedy otome not worth people’s attention? Or rather a testimony to growing problems of the western VN market? Even though the first episode of The Tail Makes the Fox is far from being perfect, I will strongly argue for that second interpretation.

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The humour is the game’s main selling point and works for the most part, but it also prevents the characters from growing beyond fairly simple caricatures

The game follows the story of Lilim, a female fox spirit working as an auditor for the central government of Hell. While merely being a low-level bureaucrat, she had major delusions of grandeur, considering herself a powerful demon (a gumiho) and desperately looking for approval from the whimsical, abusive Lucifer (who, of course, only considers her a disposable pawn). At the beginning of the game, she’s sent to one of the Hell’s seven districts to uncover any secrets or conspiracies the local governor might withhold from the Devil – there she meets the somewhat-hostile administrator and her small staff (all of them being romance options – two male and two female ones) and can follow four different character routes.

            You might have noticed the caricatural characterization of the protagonist – this applies to each and every member of the cast, some being hyperbolized versions of common archetypes (Gaki and Saleos) and others slightly more atypical, but equally over-the-top. While their traits are pretty effective when it goes to fuelling the comedy, with how short the first episode of the story is, all of them end up feeling rather shallow and underdeveloped. And this problem is even more noticeable thanks to the strange pacing of the game – it has a proper introduction, in which we learn the basic information about the characters and the setting, but very quickly moves to wrapping up the intrigue and giving us a temporary conclusion, without proper build-up and deepening the plot. In most routes even the plot’s main premise, with Lilim being a spy trying to uncover governor’s dirt, don’t go anywhere, eliminating the only source of suspense and mystery. With the cliff-hangers at the end of every path (after all, it’s just the first episode) and only minor progress in the romance arcs, at this point, it’s hard to call the story satisfying, even if it creates some promise for the future.

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The game’s visual quality, for an OELVN made by a small team, actually leaves little to be desired, especially in the character design department

Possibly the main thing saving the characters, and maybe the whole story from being slightly boring and stale is the surprisingly high-quality voice acting. Everyone, other than the protagonist, is fully voiced and while there are some inconsistencies and poorly-acted lines, for the most time it works excellently, adding a lot of personality to the cast – especially in the case of Saleos, who could feel rather bland if not the stellar work by his voice actor. I’m usually sceptical about the added value of voiceover in OELVNs, considering their small budget and weaker availability of talented VAs than in Japan, but here it definitely works, compensating for some of the flaws in game's writing and structure of the story. It also makes the comedy, on which the game relies much of the time, more effective than it would be with plain text.

            The rest of production values is also on a pretty high level, with character designs and chibi-CGs standing out positively and the rest of the assets being on a consistent level, without really giving much to criticize. The music consists of a set of very standard ambient tunes, but serves its purpose well without even getting tiresome. If I had to complain about anything, the most likely candidate would be the protagonist’s sprite, which for me felt poorly-designed when compared with the rest of the cast and lack of alternative poses or clothing for the characters. Their facial expressions were for the most time very good and scripting, apart from the rare situations in which it seemed to simply glitch-out, was quite good.

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While the voice acting might be slightly inconsistent at times, it’s good enough to give a lot of personality to characters that otherwise could turn out rather bland

In the end, The Tail Makes the Fox remains very hard to rate. Its humour can be quite amusing, but also quite often misses the mark. Its story starts intriguing and has moments of genuinely good writing, especially in the more serious moments, but for the most part, don’t develop its most interesting ideas enough and offers underwhelming routes. On the other hand, it’s definitely a well-produced and ambitious project that might still expand and improve significantly with future episodes. For now, I give it a cautious recommendation – as it is now, offering 4-5 hours of decently-enjoyable content, it’s just barely worth the 10$ asking price. I just hope that the devs will be able to capitalize on this start and turn this title into something truly memorable. And I definitely hope it won't be buried under the tons of VN shovelware that swarms the Steam market and makes the serious OELVN projects harder and harder to promote with all its faults, this game definitely deserves better.

 

Final score: 2,5/5

 

Pros:

+ Good character design and art quality

+ Decent humour

+ Good-quality voice acting

Cons:

- The story feels rushed

- Shallow, caricatural characters

- Could’ve done a lot more with its premise

 

VNDB page

Buy The Tail Makes the Fox on Steam

Plk_Lesiak

Hello Ladies and Gentlemen!

Just like during the Steam Winter Sale, I offer you a short list of interesting, worthwhile offers on Western-made VNs that popped up for the occasion of Chinese New Year. The Steam market is still a pretty strange place - since forever, some of the best OELVNs available there are absolutely free (honourable mentions in this regard go to Cinderella Phenomenon, Lucid9, One Thousand Lies and CUPID). Thankfully, there's also a lot of interesting, commercial titles that are worth your attention. Be sure to check the previous post, if you didn't buy the games listed there - most of them now have similar, or even deeper discounts. Now, to the new stuff! The order in which the games are listed is more or less random, and consider all of these games equally endorsed by me, unless I say otherwise in their descriptions. ;)

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Cursed Sight (-30%, $4.19)

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Invert Mouse was once a regular poster in the developer blog section of our forums - while he seemingly gave up on communicating with our little community, it shouldn't prevent us from appreciating his fairly unique, story-driven VNs. Cursed Sight is one of his earlier works, offering a fantasy setting stylized after ancient China and a story avoiding typical romance cliches, but rather trying to present interesting drama and ask some slight philosophical questions. While it's fairly unorthodox and might not be to everyone's taste, it's definitely worth trying out, especially for the current, modest price.

 

The Last Birdling (-25%, $6.74)

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Continuing with Invert Mouse's work, his latest VN is an emotional story about friendship beyond prejudice and once more will offer you some pretty heavy, non-romantic drama that is far-detached from usual tropes of the genre. With production qualities somewhat higher than in IM's past titles, it's an interesting proposition for those looking for an enjoyable, slightly out-of-the-box experience.

 

Sweetest Monster (-30%, $4.19)

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Ebi-Hime's horror kinetic novel is a very different piece of work than her yuri titles but offers one of the strongest additions to its genre among western-produced VNs. Viewed from the perspective of a middle-aged man going through a marital crisis, Sweetest Monster's themes and story structure will offer you a distinct, engrossing experience you won't easily forget - and all this coupled with really impressive production qualities.

 

The Way We All Go (-75%, $1.49)

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The Way We All Go is one of Ebi-Hime's earliest titles and a relatively forgotten one, but the somewhat-simplistic visuals shouldn't fool you. It's a dark, complex story, with impressive route variety, a huge number of endings and solid writing - much longer and more intricate than the usual OELVN of that era and way beyond most things you can buy for such a small price. Just be sure you're ready to see some death and violence if you want to try this one out.

 

Hate Plus (-33%, $6.69)

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I'm sure you did buy Analogue: A Hate Story the last time I told you to, so why not look at its sequel? Hate Plus follows essentially the same investigation/database exploration formula, this time showing us the events that led to the Mugunghwa "year zero" disaster - the incident which threw the colony ship off-course and started an age of technological and societal regress we can observe in Analogue. With more fleshed-out route system, immersive UI and the same great-quality writing, it's another top-rate western VN and a must read for those interested in our fledgeling weeb-game market.

 

Love Ribbon (-30%, $6.99)

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Full-sister incest love story might sound like an excuse for trashy porn, but Love Ribbon takes this concept and does something you don't really see very often - make a serious, emotionally striking forbidden love drama, written in such a way that you can pretty easily imagine it happening in real life, with the same problems and outcomes as those shown in the game. While it has its share of unlockable h-scenes, Love Ribbon's core content makes it one of the most interesting and compelling examples of the genre even outside of just the OELVN scene and something I vigorously recommend to all yuri fans out there - also, the all-ages version should be a worthwhile read for anyone without clear aversion to shoujo-ai or incest themes.

 

Sunrider: Liberation Day (-75%, $6.24)

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While for me personally the sequel to Sunrider: Mask of Arcadius felt in many ways like a step backwards when compared to the original, it's a quite interesting and enjoyable VN/turn-based strategy hybrid. Love in Space's ambition of conquering the Japanese market might have effected in a slightly bizarre, misguided attempt at "Japanisation", with full-JP voice acting and some caricaturally-implemented eroge tropes, but Liberation Day still captures quite a lot of the space-opera charm and well-developed gameplay that the series relies on. I would also like to mention that the first Sunrider is still one of the best free OELVNs out there, while during this sale you can also buy its rather amusing dating sim spin-off, Sunrider Academy, for close to nothing, 90% off the regular price.

 

Crimson Gray (-50%, $4.99)

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Decent VNs centered around a yandere heroine are not something easy to find, no matter if we look at the Japanese or Western market. Crimson Gray takes that somewhat-ridiculed and often trashy theme and turns it into a solid, well-paced psychological horror. While in many ways minimalistic, it's a very focused and effective game - one that knows exactly what it wants to achieve and delivers in a way that should satisfy most fans of the genre.

 

Brilliant Shadows - Part One of the Book of Magic (-30%, $4.89)

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One of the more unique and visually striking OELVNs on Steam offers many of the traits I most enjoy in non-JP visual novels - unorthodox story, unique setting, a strong female protagonist and yuri themes that go beyond fluffy romance or cheap fanservice. Non-Japanese voice acting, while not perfect, is quite solid here and the game as a whole shows a lot of imagination and character, being a worthy read for anyone looking for the less-usual approaches to the visual novel formula.

 

Solstice (-60%, $7.99)

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After the highly-appreciated Cinders, MoaCube's second title further establishes that Studio's highly-distinct approach to the VN formula. With its extremely detailed, non-anime artstyle and intrigue slightly more akin to the classic western adventure game than typical visual novel storytelling, Solstice will definitely not be to everyone's liking. It's possible to argue though that the visual fireworks alone make it something worth experiencing, especially for the relatively modest price of $8.

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I hope you've found this list interesting (and possibly even helpful)! Making these let me realize how small the commercial OELVN market still is. While there is a substantial number of western VNs showing up every year, the most interesting ones even now tend to be freeware titles created by hobbyists, and the products that actually ask us to pay money for them are more often than not very average or impressive in some respects, but deeply flawed - those games might still be interesting to some but are quite hard to blindly recommend. There's a lot of talent and interesting ideas in the scene, but it takes quite a lot of time and dedication to dig through all the mediocre stuff (and the tons of utter shovelware infesting Steam) and find those few, truly valuable titles. Still, as long as I have time and strength for it, I will try to fish out worthwhile OELVNs for your (and my own) enjoyment. ;)

Have a great week everyone!

Plk_Lesiak

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Disclaimer: I was provided with a free review copy of this game by the developer. All opinions expressed here are solely my own.

World War 2 and Nazi Germany aren’t completely atypical themes in VN and manga/anime – some beloved and high-profile titles, such as Dies Irae or Hellsing take a very direct inspiration from nazi imagery and legends about NSDAP’s elites’ dealings with the occult. More down-to-Earth war stories are however much rarer in this context – prominent franchises such as Valkyrie Chronicles or Saga of Tanya the Evil not only utilize much less controversial political and military framework of WW1, but also add significant fantasy elements to the mix.

          To apparently remedy this sorry state of affairs, a small OELVN titled Panzer Hearts was recently released on Steam. Developed by HELYEES, this game promises a story of war and romance in an alternate universe WW2. To this it also adds the theme of tank-building, that should probably excite every military geek such as myself. However, as fantastic as this all sounds, can this tiny indie game actually deliver on all that?

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The game’s vision of totalitarian society is believable and well thought-out, but with an around 5-hour long story, it's ultimately too short to explore it to a satisfying degree

The game’s story follows Bastian, a young soldier of the totalitarian, expansionist Empire (vastly resembling Nazi Germany, but with the national-socialist imaginary replaced by Ancient Egyptian themes), who idealistically enlisted for the army and was humiliatingly wounded the first time he saw combat. After heavy recovery and an emotional breakdown, he’s personally enlisted by an influential officer, colonel Kontar Ackermann, to work at a new tank factory, starting a journey that will lead him either to embracing or rejecting the oppressive system he lives in, while falling in love with one of two girls, each of them pretty much representing polar opposite stances on the Empire.

          The focus of the story definitely lays on the political reality of Bastian’s homeland and his personal struggle to understand the reality around him. The losses inflicted upon his family by the war, indoctrination he went through and his naive idealism are all explored in pretty interesting ways and the way they clash with brutal realities of the Empire’s terror and violence are the driving force of the plot. Also, the writing makes clear the moral ambiguity of pretty much all of the possible choices – while the Empire is clearly a brutal, potentially genocidal dictatorship, rejecting it also means betraying all the people that aided Bastian and laid their trust on him after he returned from the front. From this point of view, loyalist ending is maybe the most interesting part of the game, not only resolving the moral conflicts of the story in a convincing manner, but also pointing out to the rewards an authoritarian offers to it’s most loyal and capable servants and the allure of power that it can grant to an individual.

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Tank-building segments could’ve been a very nice touch if they were even slightly more involved and varied

What, however, is very praiseworthy in the general outline, it not always as good when it goes to details and the way some of these ideas are executed. Panzer Hearts on many occasions shows the cracks within the Empire’s perfect facade and various heresies against the dominant ideology, often coming from those publicly most loyal to the system and the first ones to silence anyone questioning it. This subplots, however, are pretty much never explored much beyond the sheer fact of their existence – and some of them begged to have deeper ramification and expose the characters more deeply to the dread of totalitarian violence, rather than just showing the inherent hypocrisy of ideology-driven regimes. Dialogues also disappoint slightly, feeling a bit unnatural and chaotic when they go into ideological discussions and conflicts between the characters – they never seem to reach the depth and impact that the authors obviously wanted them to have.

          However, a really major disappointment for me came from the tank-building “mini-game”, which was marketed as one of the selling point of the game and in reality can barely be even described as a gameplay element. Only a few “assembling” segments are present in Panzer Hearts  and all of them consist of simply dragging the parts vaguely around their appropriate places, without any skill or challenge involved. While they’re well-embedded within the story and relevant for the plot, they just begged for more variety – the German armored vehicles of WW2 are a huge source of interesting designs and trivia and using that potential seems like an obvious choice for a game that seems like it was meant to appeal fans of military history and equipment. Sadly, the game stops at absolute basics, just borrowing a few famous tank models and vaguely describing their capabilities.

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The game’s simple visuals sadly take away some of the impact from the very dark, oppressive setting and storyline

Another issue, for many probably much more important, is the choice system in the game, which is pretty much meaningless past a few paths that lead you to immediate bad endings and the final decision that determines the ending you get. The games give you Telltale-style feedback to most of your actions (including the always-ominous "X will remember what you said about Y"), making you feel like you’re working towards something on every step, but none of it actually changes the plot, which branches out only at the very end of the story – I personally didn’t mind it very much, but those hating having only an illusion of control might be heavily disappointed.

          The possible dealbreaker, however, comes in the form of game’s visuals – while the quality of the art is not dreadful, it definitely has a problem of not really matching the extremely heavy subject matter. I have a feeling that the same story, presented with a more refined and darker aesthetic, could be much more impactful. The artist’s take on Egyptian themes also looks quite interesting and at times appealing, but lacks the polish necessary to really make it convincing. Of course, considering that Panzer Hearts was made by a tiny, more or less amateur team there’s no point in bashing those aspects of the game, but they’re definitely something to consider as a consumer.

          In the end, though, I do recommend giving this VN a chance – it’s a decent attempt at telling a kind of story and building a setting that we don’t really see within the medium, done with obvious knowledge and understanding of the topic is tries to tackle. Because of that, it’s something I would definitely like to see more of in the OELVN scene and if HELYEES decides to create another title in similar style, I’ll be very interesting in seeing it. However flawed, it's a good start, hopefully, one that will lead towards more polished and expansive projects.

 

Final Score: 2,5/5
 

Pros:

- Unique setting

- Serious approach to topics of war and totalitarianism

Cons:

- Mediocre dialogue

- Simple visuals

- Doesn’t capitalize on some of its best ideas
 

VNDB page

Buy Panzer Hearts on Steam or download a free demo

Plk_Lesiak

Some time ago I've offered you a short list of stand-out Yuri Game Jam VNs - titles that went beyond what you normally can expect from the free game jam entries, presenting compelling stories and surprising aesthetic values. While that list included some of the most-appreciated western yurige, such as well-known Ebi-Hime titles, among hundreds of YGJ and NaNoRenO entries produced over the years you can find many more worthwhile VNs with f/f romance themes that never received similar recognition. Today, I'm presenting you a list of another 5 free OELVNs with yuri elements, along with some honourable mentions for games that I'm less comfortable recommending to everyone reading this post, but are still worth appreciating for some of their achievements. Every title will be listed with an appropriate link to download them on Itch.io - I hope you'll find them to your liking!

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Butterfly Soup

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Brianna Lei's story about a group of lesbian teenagers has gathered a significant amount of mainstream attention thank to its unique subject matter (focusing on minority queer women and their experience) but is definitely more than just a piece of social commentary. It offers a well-written, charming story that tackles its main themes with a lot of subtlety and doesn't overstate the sexuality of characters, saying more about universal challenges of growing up than just minority issues. And while it definitely attempts to create a more realistic representation of homosexual relationships, straying away from the typical, idealized yuri romance, it's a fun and lighthearted read that should be appropriate for anyone not allergic to close-to-reality LGBT stories. 

Her Tears Were My Light

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Nami's allegoric love story about Space and Time is a simple, short game, that nonetheless managed to gather an impressive amount of praise from the readers, apparent, among other things, through its impressively high VNDB rating (7.54 average, 6.91 Bayesian). With beautiful visuals and high-quality writing, it's a really touching and surprisingly unpretentious read, appropriate not just for yuri fans, but rather everyone not afraid to shed a few tears.

Disaster Log C

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Sofdelux's Disaster Log C is not in any way a traditional love story, but apart from some slight LGBT+ themes and wacky visuals it offers a highly amusing, unusual story about two drastically different and initially antagonistic individuals trying to survive through a cataclysm that threatens to destroy their world. Interesting characters and Nami's strong writing makes it a thoroughly enjoyable read, if you can get past the game's obvious eccentricities.

Taarradhin

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Taarradhin is a fairly well-known NaNoRenO VN that only partially relies on yuri themes, but manages to stand out thanks to an appealing aesthetic, India-inspired stylization and a simple, but well-executed plot. It follows the story of Netqia, a young and naive daughter of a powerful noble in a country struck by catastrophic drought, who's unexpectedly presented with a gift of two beautiful slaves. While, just like other games on this list, Taarradhin is fairly short, it manages to create a setting unusual for VNs on a few different levels, a pretty well fleshed-out cast of characters and an interesting intrigue, that lets you connect to the main cast through multiple playthroughs and rewards you with a compelling "true" conclusion at the end of the road.

Romance Detective 1 & 2

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Quintessential work by Nami, the Romance Detective duology showcases both her characteristic artstyle and the casual, mostly-comedic storytelling typical for her VNs. While the second game was never truly finished, missing some art assets, the whole series is complete story-wise and offers a lot of fun for those looking for a light, cheerful read - although the sequel has its share of more sober, touching moments and should be compelling also for those looking for some actual romance and drama.

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The honorable mentions go to the second Sofdelux title, Mermaid Splash, for a great aesthetic and atmosphere, despite rather predictable writing, Nami's Tunnel Vision for another minimalistic, heartwarming story that charms the player with its visual style, Toki Production's Princesses's Maid for a great protagonist and amusing romance, and finally npckc's Magical Witch Bell and Her Non-Magical Friends for great writing and the simple, but effective stylization. If you enjoy cute, cheerful stories, all these games are also worth your attention. And regardless of whether you decide to check them out, I hope you found this week's recommendations interesting.

As always, all feedback will be deeply appreciated. Have a great week everyone! :)

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