sanahtlig

Personal blog (Sanahtlig's Corner)
VNDB profile
Fuwazette articles
LewdGamer articles

I've been into VNs since around 2002, and active in the community since about 2004. I go by various pseudonyms including sanahtlig, Dark_Shiki, and magusgs. Boards I actively follow include Mangagamer, JAST, Fuwanovel, and VNDB. I was also formerly active at NIS America. I've been actively following VN localization for over 10 years, so I've become familiar with business aspects of the market that often elude other fans.

Over the years I gradually became interested in playing games outside the walled garden of English releases. I enrolled in a year of Japanese courses in 2005 and casually studied the language. I used text hookers to machine translate Japanese VNs, especially RPGs and other gameplay-centric titles. In the past few years I've gradually shifted to using dictionary lookup more often as my knowledge of the language improves and machine translation becomes less attractive as a crutch. Today I remain reliant on text hooking, and I use machine translation as a grammar reference (or when I'm feeling particularly lazy), but my Japanese is good enough that I can often understand written dialogue unaided. With all the tools at my disposal, I'm fairly confident my overall comprehension approaches native level for the games I typically play, even if my reading speed is a bit slower and I don't necessarily understand every word or every phrase.

I play VNs voraciously, though I go through spells where I play 30+ hrs a week, and other times where I'll go months without playing any. These days I mostly play Japanese-language VNs, though I try to sprinkle English VNs in (with auto-mode enabled) to give my hands a rest from scrolling over unfamiliar Japanese phrases and repetitive clicking. I keep my VNDB profile mostly up to date. My focus is eroge with gameplay; I consider myself nearly an expert on this genre and I've played games from most of the major developers. I play eroge almost exclusively because, well, I like my animu ero, even if it's just a scene or two tacked on at the end. I usually shy away from nukige, which tend to bore me, but I play a few. To this day I've completely spurned original English VNs for several reasons: the low production values / severe lack of professional quality releases, lack of Japanese voice acting, lack of ero, and a general disdain for Western cultural and artistic values which often creep in (especially into the ero, if any). I might be persuaded to try one eventually if some or all of those concerns are addressed.

I like to argue and debate, and my forum post history is filled with posts on all sorts of topics including the VN industry, VN piracy, censorship, legal issues and obscenity, and much more. I also post on Fuwanovel's Fuwazette as well as my own personal blog. My tone is often callous but I typically attempt to argue concepts and ideas, not people. My view is that ideas exist to be challenged, and unchallenged ideas lead to complacence and zombie-think: simply echoing what others tell you. Wherever I see complete acceptance of an idea, I see a viewpoint not being considered. True objectivity means openness to new ideas, an ability to see controversies from multiple perspectives and understand how different premises and viewpoints can lead to different conclusions. I pursue truth, and where truth is elusive I seek to approach it through the sum of all valid viewpoints. Even viewpoints that don't hold up to scrutiny often provide a valid insight into the minds of men.

I write fiction occasionally. My current project is Memory's Wounds.

Quote

Memory's Wounds: my novella work-in-progress
Synopsis: Eight years after a tragic accident claimed the lives of his father and beloved sister, Brian and his mother Clare struggle to cope with the rift their lost loved ones have left behind, as well as the growing rift between each other.
A tale of memories that brings time to a standstill. One who traverses the world of memories, lost in the past. One who willfully forgets, frozen in the present. Both helplessly fleeing a reality that brings them only pain.

I am sanahtlig, and this is my story.